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... THE STAGE. LMR. SIMS REEES'S FAREWELL. The following are the lines (written for the occa- sion by Mr. ?? H. Pollock) which Mr. Henry Irving spoke at Mr. Sims Reeves's farewell concert at the Royal Albert Ball, London, on Monday night:- Oft have these ...
... 13U.1JI. ED A-LIVE'. ,1#. T1-IE TOWNLIsY E&5i'l'STE 3- ,'11 FR.AUDS. i ILS, - 5 ,11 STILL +\rAITINg ]BVID23fGL FgOX u ,,J; AXIETtlGA. 'l Jlilues Frazor J.eques lil)d Holvel1 Thouins, rb el} ColivilTt, ?? \NitlL colispiritey to eiefrrud inrlz eorilectioll ...
... adftpt a powerful fable, are each and all essential. So f.Lr 1 he art of the dramatist and that of the novelist are one, and it may be said justly that any really capable exponent of the one art m,j>ht, by training and practice, be taught an almost excellence ...
... shortly be offered to the London music hall stage by this Prince of entertainers, and from what we hear there is every reason to believe that when pro- duced it will be the talk of everyone. Strength and art will be embraced therein, and Al. Marx will ...
... discie- ticmi, or the want of it, as the case may be. Art, then, has no essentiil concern with morality, no reference to human well-being. In which case it becoets abscluteuly necessary to ask whether Art has any business to exist at all, except in 6o ...
... unusuall large audience gathered together in the anticipation of a programme of great attractiveness. Mr. Cross does much to keep alive the popular interest in Handel's mlusic. The choruses of Samson, which move in the massive and melodious manner charateristio ...
... On the question ef the textension to the music halls of the right to penrfrm stage plays, he said he conaidcred that it was wary irrational my legislative enactment to keep down the amusenmets ef a certain cias of the populatios who preferrei to smoke ...
... more realistic chrracters already referred to. Bus be the piece what it may, with Sir Henry Irving and Miss Ellen Terry and the brilliant Lyceum company to interpret the woilk, one may rely upon an artistic and intellectual treat. We are as'.;ed to draw ...
... cmrvellcu-' co~njart r, eC tsmmi.0c5 a .liOi Fac-aen at stie Art (Gillery TheM is this Sorurtlayv ?? his visit exten~ding river ntie xvsec-si. it iP ?? if a inure sk;ilrd exponlen o.f an art whnich has ?? Intnot llch of its populaiity can bs fmlund than ...
... wro.ig for tbh ?? to practise the art which it is his business ill life to ?? the value of. Meantime, it is quite cummori tip hear artists *f all kinds declare that the crotic has no hUoai- . 1ness to deal with anly art whichl he has nOD prantised for instance ...
... natural vice to hate One great competitor. He may even go beyond it, and bear no ill-will to smaller rivals. Regarding competition in things theatrical, we may venture to suggest that the greatest danger for the stage is not to be found so much in the emulation ...
... hen he finds himself treated as a god; he forthwith con- f- &d'scends to womalir. Artiste, then, may neither love nor 13 be beloved. That is, they may not experience emotions which it is tbcir main mission to express. The over- 8 wrvught severity with ...