... Doctor Faust us Hammersmith THE COMMONWEALTH Theatre Company--in effect Artistic Directors Max Hafler and Tony Hegarty--have gone out on a limb with Marlowe's play by shearing it to the bare essentials so that the poetry comes across loud and clear without being obscured by any irrelevancies of production. Max Hafler plays the title role and looks younger than the often border- ing-on-middle ...

... As You Like It Greenwich AS WELL as this revival, As You Like It can be seen this year at Regent's Park as well as at Stratford-on-Avon so it looks very much as though it is one of 1992's set books. Greenwich's production was one of the first in the field and seemed on paper to have a lot going for it the director, James Robert Carson, is a former Scottish Arts Council trainee who has worked ...

... Simplicity reaps dividends Barbican Pit 'Tis Pity She's A Whore WE HAVE become so accustomed to the RSC's unearthing neglected plays by Shakespeare's contemporaries at the Stratford Swan (where this production by David Leveaux in fact first saw the light of day last year) that it comes as something of a surprise to leam that the rediscovery of Ford's play about incest is due to the last of the ...

... Polygraph Glasgow POLYGRAPH, as presented by Robert Lepage's Theatre Repere of Quebec City, turned out to be a riv eting theatrical experience, not so much for the dramatic performances of the three strong cast which were in all truth most impressive but for the brilliantly innovative special effects and settings which were so profoundly effective. In a series of film-like sequences, ...

... Making the connection Sadler's Wells La Fille Mal Gardee WITH the version of La Fille Mai Gardee shown by Ballet du Rhin, we find ourselves caught in a time-cycle in which both coincidence and com-monaliry feature. This production, by Swedish choreographer-historian Ivo Cramer, was made in 1989 for the Ballets de Nantes (where the Ballet du Rhin's director Jean-Paul Gravier was then in ...

... When seeing is believing Paul Chand sees a radio play successfully reincarnated on the London stage KINGS HEAD Artists Descending a Staircase IN STOPPARD'S fizzy, elegantly written radio play, now brought to the stage by director Tim Luscombe, misconceptions abound, easily aided by the fact that the central character, Sophie (Sarah Woodward) is blind. The three males, Martello (William Lucas). ...

... Dog Well Done Finborough If you ever buy a hot dog from a street vendor, spare a thought for the web of vendetta and violence that might have provided seasoning. Potentially a microcosm for dogeat-dog capitalism, in Stephen Keyworth's play the sausage sandwich is more literally the focal point of a cycle of blood-lust perpetuated by the dog of war Grist a tyrannical bringer of economic ...

... Are Unheard Memories Sweet? Edinburgh/Touring Lung Ha's, the theatre company which provides opportunities for adults with learning difficulties, has stepped back from its large-scale productions of recent years for a more compact, touring show. Not that cc-directors and writers lohn Mitchell and Louise Ironside have compromised story telling or production values in any way. This is a ...

... The Wizard of Oz Weymouth This excellent adaptation from John Spillers at the Pavilion has just sufficient pantomime business for festive season presentation. The dynamic Lisa Jayn Dancers are soon in the aisles partnering eager customers for a western hoe- down while everyone claps along, and thereafter the atmosphere remains exhilarating. The costumes are bright and the sets simple, but Mark ...

... Dick Whittington Worthing If you have seen one you have seen them all, might be a line that springs to the minds of grown-ups who have seen one too many pantos. But I would have to disagree. Dick Whittington at the Connaught is an original and highly entertaining breath of fresh pantomime air. Written by Christopher Lillicrap and Jeanette Ranger, the show combines all the traditional panto ...

... Aladdin Chatham A lavish, large-scale production, with Ian Wilson's glitzy set thrusting into the auditorium, effectively aug mented by Chris Stevens' atmos pheric strobe lighting, this is one of Paul Hammond's ten Christmas shows dotted around the country. Although it begins rather limply, it leaps to life as soon as Rob Forknall arrives onstage as Widow Twankey. Each costume more out rageous ...

... Jack and the Land of Dreams Edinburgh Theatre Workshop's Christmas show is no pantomime, but a full-on theatrical production. While it manages to include the audience participation that makes panto special, it is to director Robert Rae's credit that he puts the story and story telling at the top of his agenda. Told by Stanley Robertson as Jack and the Sealie Hood, this unusual story pits ...