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Examiner, The

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London, England

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London, London, England

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3,787
16

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3,803

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The Examiner

THEATRICAL EXAMINER

... one day at a performaince, in ?? HYLAS, his-rival, was accoin- panying by attitude and gesture a hymn that concludel with speaking of the great Againernnon. HYLAS, to express the greatness of the hero, measured the aie with an elevated gesture, and P-LADzs ...

THEATRICAL EXAMINER

... sabject of tragedfy. Love, which in: real life delightsa i nutie passionl, in~silent enjoyment ald.recollectiou, and which speaks. rather -with, it's edges and it's soul than in a flow of word-s, beeomes too verbose and affected on the stage. The svery ...

THEATRICAL EXAMINER

... d'eparted, but how monstrous is his infinmait u o pe; liis aunluity vwho~b y more than devilish art, com- pels the, very dead to speak ill of themselves, to prolong their own vices, and to mislead. maukind like l1iunisible and kursed spirit>: WVihat IWill the ...

THEATRICAL EXAMINER

... arces. You are pleased with the attempts at origi- nality of character, with the flowery blank verse in Which the poet always sp,)eaks, and wiith tie spriglitly s e of the ,rest of the dialogue, which awaktenls a plea- Sure more allied to thie complacest effect~ ...

THEATRICAL EXAMINER

... NoaToN, ill Jane Shore, did not give to thea. trical observers much hope of her future greatness 'in tragedy. She will always speak gracefuU%+ anj her general air and manner will always give on, a idea of her that may be called amiable. Blt her-face. does ...

FINE ARTS

... inLAers. Of the coloured; depar tment, of.-thuls work,7 in .spite of t-ie~tsue and cry-raised agaunsti-, v.e are compelled to speak. r terms of aluxratiion. All- the coXillmoP place qscrvations- upon . coloure l. prints are toialll iiiapplica le.-to.ihese ...

THEATRICAL EXAMINER

... familiar to fa- miliar action: -ow 'where is the- rdicle bf 1bthis? One of his terusanages, who is a real klight, ahliost always speaks seriously exicet in the -pronunciation of the word nephae5l wih.i ha invariably calls. mes#:y: now I cannot, with all any ...

THE OPERA

... the e,. of their frieids and endanger the safety- of their -blood vessels. Of the vocal performers I regret that I cannot speak in ternis of praise. Madame DussEcrx still ?? all the defects observable in her- former chla- racters; indeed, it is as impossible ...

THEATRICAL EXAMINER

... that reniders it's reprcsentaion on tile sta;ge, where there should alwaxs he roolim lor the display of acting as well as speaking, dull and lieais. The principal parts in the p;av, t teetnine and Prasus, the Veronese Gentlemen, colme in anld go uix:, ...

FINE ARTS

... glass she views Her mind divine, her magic forms and hues. 20. Maternal Affection. A. J. Oir.7ER, A.-This is a picture which speaks to- the heart from the delicacy of its expression, and the loveliness-of its objects, and to the judgment of the connoisseur ...

AN ATTEMPT TO SHEW THE FOLLY AND DANGER OF METHODISM

... was, srized with such a -coigh that I could haI dv speak, At the sqpe g~gi ta came strongly isj-to isy mlin t- tese signs shall followB thbem thai believ'e 1 cailed ?? alood-a3n wliil~e I is speaking, my pain vamihied away ray fa-tcr-kft me itzur- loirae ...

THEATRICAL EXAMINER

... Yon No sisal! take the earfiest opporttmity of speak- hug' morn Iirgeiy. When I saw him last,- it was soule tire ago in /i-Tnetr, and he gave inc no peculiar idea of hiis geo- iius, conqparatively speaking, in that hlmoot unastainahle chaiat wer, But he ...