... The Baby Watford JUST as well Jon Canter's first-born full-length stage play is a complete over-the-top comedy, otherwise audiences would be in grave danger of leaving the theatre in deep mourning for modem man. The caricature characters in The Baby are all stressed pieces of driftwood and debris on the snores ot modem society, in need ot both therapy and treatment. At the centre is Helen ...

... Iphigenie en Tauride CARDIFF GLUCK may not be a major draw at the box office, and his masterpiece has little chance of making the CD charts--but what a memorably power-packed night in the theatre Welsh National Opera made of it. The French producers, Patrice Cauner and Moshe Leiser, working in Britain for the first time, eschewed the visual delights of eye-catching sets, attractive costumes, ...

... Baby Baby Kings Head Theatre Ci ub THE SCARLET Theatre Company create their productions through a process of devising and improvising upon a theme, working with the writer to build a script through rehearsal. Baby Baby is the result of a collaboration by the core company, Grainne Byme, Sophia Lovell Smith and Maggi Morrison, with the writer, Anne Caulfield, and the director Birte Pedersen. ...

... Dames At Sea Oldham GEORGE Haimsohn and Robin Miller have written a delightful pastiche of the Hollywood musical in Dames At Sea at the Oldham Coliseum and part of its success lies in the naive charm of those vintage years captured affectionately by Jim Wise's nostalgic music. The small cast of six play roles familiar to everyone who fondly remembers the traditional plot of finding a bam and ...

... Romeo And Juliet BIRMINGHAM At the first schools matinee of Birmingham Royal Ballet's 'new' Romeo and Juliet--in Kenneth MacMillan's familiar 1965 Royal Ballet version, newly designed by Paul Andrews--when Romeo (Joseph Cipolla rejected the challenge to a dual from Tybalt (Even Williams) the young audience was held in thrall. For at this performance's most forcefully dramatic moment, as ...

... The Return Of Ulysses ENO ENO's revival of its 1989 production of Monteverdi's The Return Of Ulysses is not a happy occasion. David Freeman's staging oscillates between the banal and the moving, though even the dodgier moments might have been overcome by stronger casting. David Roger's clever design makes for fluidity of narrative, areas of con current action often throwing up significant ...

... Eugene Onegin Haslemere PUSHKIN'S poem classic Yevgeny Onegin was a natural for Tchaikovsky's music. As he composed his fifth opera he clearly saw the potential of the letter scene which it is said he wrote first. It depicts the heroine in her most emotional state and the beauty of the composer's music in that long passage fully justified his use of the Russian's poetry. After a very poor ...

... Best Before Etcetera This cleverly titled new play about Alzheimer's Disease, written and directed by Lizi Hann, is not as grim as you might expect. Although it does not shirk the stark realities of dementia and it does not offer any easy comfort, you do not come away feeling depressed. For one thing, this does have some surprisingly funny moments. But there is a strong sense of the value ...

... Running riot with cliches Edinburgh The Shaughraun Dion Boucicault's 19th century comic melodrama runs riot with every cliche about the Irish in the book. From the big-hearted wandering poacher of the title to feisty Irish county ladies, red-headed informers and dim British soldiers, Boucicault sets them all up. And in this fast-paced production at the Royal Lyceum, director Mark Lambert ...

... Things We Do for Love Chester Alan Ayckbourn's mordant look at the destructive effects of love receives its north west premiere at the Gateway. Guy Retallack's beautifully- judged production portrays every shift of mood and emotion as the play moves from the style of Abigail's Party to that of Who's Afraid of Virginia Woolf? Barbara, a poised career woman, lives in the elegant flat which ...

... The Pearl Fishers London Coliseum Philip Prowse's exotic version of Bizet's Gallic Mills et Boon romance set on an island in the Indian Ocean is back. Savour again the petal-strewn stage, the central pillared platform, sacred elephants carved on its columns, the beached boat and huge slatted overhang, all awash with Gerry Jenkinson's colourfully expressive lighting. It is possible to find ...

... Independence Day Oval House Christopher Rodriguez's play is an electric, passionate study of two people caught in a love that is destroying them. Rosemary (Josephine Welcome) is a fiftyish Trinidadian woman married to the thirty-something Marcello (David Durham), much to the consternation of the world around them. Neighbours spy on the couple in macabre fascination, his colleagues snigger ...