... that reniders it's reprcsentaion on tile sta;ge, where there should alwaxs he roolim lor the display of acting as well as speaking, dull and lieais. The principal parts in the p;av, t teetnine and Prasus, the Veronese Gentlemen, colme in anld go uix:, ...

... the e,. of their frieids and endanger the safety- of their -blood vessels. Of the vocal performers I regret that I cannot speak in ternis of praise. Madame DussEcrx still ?? all the defects observable in her- former chla- racters; indeed, it is as impossible ...

... glass she views Her mind divine, her magic forms and hues. 20. Maternal Affection. A. J. Oir.7ER, A.-This is a picture which speaks to- the heart from the delicacy of its expression, and the loveliness-of its objects, and to the judgment of the connoisseur ...

... h'c- to rse li!ke him the royal inmperative pro- xis do not very well understaod it, tltough tte have rried haLrsi W''e speaking of his own works, you ?? told t - if, 1 leer blhas suggested, with singtilar felicity, the solid c~i eal!e'-'sou~rd light ...

... order as those of religion. Our farci-corrtdies, however similar in iytvle to the eloquence of Dr. COLLYER and Mr. HILL, never speak disrespectfully of the 5noral virtues; and a modern dramatist, - however incapable of good works, cer- tainly damnns nobody ...

... professes, that is, ac- cordinu to the dramatic acceptation, of -the word sentimen. tal; Thus at the English Theatre, when we speak of a sentimental comedy, we mean an exces.ively dull jpiece by an excessively dull author,, such for instance as 'The Set- ...

... inLAers. Of the coloured; depar tment, of.-thuls work,7 in .spite of t-ie~tsue and cry-raised agaunsti-, v.e are compelled to speak. r terms of aluxratiion. All- the coXillmoP place qscrvations- upon . coloure l. prints are toialll iiiapplica le.-to.ihese ...

... d'eparted, but how monstrous is his infinmait u o pe; liis aunluity vwho~b y more than devilish art, com- pels the, very dead to speak ill of themselves, to prolong their own vices, and to mislead. maukind like l1iunisible and kursed spirit>: WVihat IWill the ...

... broader species of dry humour. Her duel of wit wiiln Benedict' she managed with greatspirit, thoug h the attacks, generally speaking, hiad more of force than ease. The most pleasing part of her performance was ini the concluding- scene, where she pilays ...

... was, srized with such a -coigh that I could haI dv speak, At the sqpe g~gi ta came strongly isj-to isy mlin t- tese signs shall followB thbem thai believ'e 1 cailed ?? alood-a3n wliil~e I is speaking, my pain vamihied away ray fa-tcr-kft me itzur- loirae ...

... arces. You are pleased with the attempts at origi- nality of character, with the flowery blank verse in Which the poet always sp,)eaks, and wiith tie spriglitly s e of the ,rest of the dialogue, which awaktenls a plea- Sure more allied to thie complacest effect~ ...

... countenance, but it possesses no poower of expression for the supernatural and ever-shifting genius of in- &mity ;.her tones in speaking are for the most part of a melodious depth and yeminded every body of Miss BOa ?? she has by no means the feriinine d.ica:cy ...