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England

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London, England

Place

London, London, England

Access Type

481

Type

481

Public Tags

ORIGINAL POETRY

... to an identity, So much I think, asid feel, and see with him.) There's one in which I can't agree with him, 'Tis where he speaks of the debates, As coming with their misty weighits, Like thick November rains and vapours, And taking lip the daily papers ...

THE MIRROR OF FASHION

... pointed out an error of the press, the corrcdtion of which makes it perfeqly intelligible. Cowpisn, in his re Winter Evening, speaking of his early fondness for the ?? country, and for the description of rural scenes, says, nd Then MiL'.ON had indeed a poet's ...

THEATRICAL CORRESPONDENCE

... alleviate safering. Your rcaders will be aware that I am about to speak of the exhibition of a riving Eeleibant on the stage of the only legitimate Theatre in the vietropolis. 1 shall choose to speak of it, however, without any reference to the p ri-priety of ...

TO A FRIEND, WHO OBSERVED THAT A VERY PRETTY WOMAN [ill] [ill] OBJECTION TO SEE ONE GENTLEMAN ONLY

... and half-checked utteran- which all his predecessors in the part were in the alni. of affecting but it is certain, that by speaking in bI own natural key, the tone did. not harmonize with tlle apparent ?? of the organ. It was not dert enough for the hollow ...

ON FIRE

... addressed to tbe Ladies ELIZ& and MARY BIR- M5INtCHAM, dsu hliters of the late Earl of LOCTH. The llernent is supposed to speak- In Poets, all my marks you'll see, Since fl ,sh and smoke reveal ite; Susr1ed me always near NAt. Lr F. Even BLActr Ei0R can't ...

THEATRICAL EXAMINER

... in ani aherpiece of Co- vent Garden. The rnerits of L Itnlolwa in Algie6 i (Trhe Fair Italian in Algiers) are, genieraly speaking ,of a piece with those of II Rarbiere that isto say, there ismoire aniimal spirit than i6tellectual, and ,ood cornipilation ...

THE MIRROR OF FASHION

... e\ ! . -2 !-t ?? , ?? ?? In a very thin hobuse an .,cttres. was speaking very lowv in her ?? widli her Iyver, when the ctoiith. a ,face., o~f, tvoze~f; ?? exclaimed ,:Mii dear you may speak out, you see t is Ito one, to 'aear; . N E.,V TRTRa O1 A1 Cev ...

THEATRICAL EXAMINER

... her voice, loud but not harsh, and deep but not masculine; and the likeness, as far as character was concerned, was truly a speaking one. All her scenes, in the presence of others, were excellent: it was Henry the Eighth's daughter com- plete. But she carried ...

SOUVENIRS DE LONDRES

... has been twice to Lon- their don, the first time for about six weeks in 1314, and the second for five in 1816. The author speaks with some ty of asperity against the Custom-house officers; the trunks rl of are opened before an officer whose penetrating ...

THEATRICAL EXAMINER

... closel.z pressed by ?? bai!if, he suddenly slips on his Landlady's Night Gown, and ?? in that dieguie from his pursuers. by speak- i ihg in a feigned femnale *-oice to one of them, and knocking. tale other down by an exertion of his proper and natural I ...

A PASSAGE FROM THE DESCENT OF LIBERTY

... supposted; pray speak to it- Ist Shep. Hush! to the left. (The music shifts to the left with a diflrent strain, &ntd then . makes a sudden stop). Euomuzs. Myrtilla, my sweet child, Frame you a prayer out of your innocent thoughts, And speak for all; something ...

TABLE-TALK

... ai veil ais pleasurnl to bc derivedel frogi! the prartV assemnil led %.fcre conifizied to thbeir own private lives. Buot to speak SeriouSy, *ve think that dinners given to such persois as La w Officers b) a permmn siluated 5s the Prince egent is, a. e 'CI ...