... ®ur crap bask; 0. OR,' EXTIACTS FROM RECON.TLYPTJBLISHED WORKS . AND PUBLAC JOURNALS. CAD FARlS ANP T1EIR FLUCTUATIONS.--T a gentle- man in black, with a blue or crimson inoreen bag contain. ing pae'rs 'tied with'red tape, 8d. per mile' according to act of parliament. To' a young gentleman with Ihalf a eigar and a pea coat, taken up at the Cyder lOchrs,; and driven . like' bricks, 2s. ...

... Zbe Jim gilts. ' JOLLY COMPANIONS-Song; the words by John Broughath, Esq.-the music arrapged by CLEMBNT *.::'W Ts.-LONdON: Keegan, .Barinygon Arcade.. e This is an- excellent convivial song'; the words and e m'e-16y.(beifn' host harmonionsly -married together, and, for6iinga iWhle;e well calcul ated to'iuspire the nijost dull ,i and low-spirited with soniiihinglike cheerfulnessand mirth. ...

... LITERARY iOTICES. LIT T~ ?? ~~ ~5tONO~~itAP 4tobjec of this ?? ?? 15 to getes asudelpa I h o IItnain a series Of r10 ?? a Articulationsi of the bID Selt iai;i steeoe gidl not extend beyond Itbt ol ?? ne u h much to ?? ieuedt lnt tevwl;M rea defect In ?? 1e1h tt wih faope ol ~tmpifytir aculstl~f effcr!g~ ~woud Introduce intoI and S lu grpbor uso riting. The writing ~ ?? and 00ttobpeud by ?? ...

... Tbe eine arto. EXTEI:BZTXON Or ICTXRSi.. 27D. Duetch FWtlxiag'boats ilt a Gale off the Dogger Bassk: . T. 1) uN ?? is one of the most ?? marine piees we hove ever scen: in watcercolours we ?? auet with nothing tha could suarpass it. It is, indeed, a maste ly produotion, and in point of fame cannot fail to re-aly Af'.Duncan forthe great amount of labour which it is evident lie mout have ...

... MIZTRATURM. T/hc ajpproachtg Do..f.l o' I P'oepry and Civil Despotismn in £srOpr.- Philp and Evans, Biristol. In all times of politioal commotion aid chnnge, prophecy has beon the favourite study of rnsids of a particular cast. Tho sangpine and imaginative have endeavoured to find the events ?? over them in the dark mystories of Daniel and of St. John. A heated fanoy has ever roendered the ...

... LZTE1aARY VARIETIES. GOLD. -Trust not to the omnipotency of gold, nor say unto di it, thou art my confidence; kiss not thy hand when thou be- PE holdest that terrestrial sun, nor bore thy ear unto its servitude. be A slave unto Manimao makes no servant unto God; covetousness Iu cracks the sinews of faith, numbs the apprehension of anything st above sense, and, only affected with the cortainty ...

... - - - - * . -- - To Oh, JbAtorsY foul thing, That knows no balmy rest, How doth thy fierce and rankling sting Corrode the lover's breast; Illack'ning Isa soal with horrid spell. And stamping In his heart a hell! Dreading the glare of day, A watcher of the night, Thy victim knows no cheeringray Of pleasure's caln delight: A slave in envy's spiteful thral., Friendless and loee,-distrusling all. ...

... IIR WILSON'S SECOND NI) ENTERTAIN~lljN'P, Iajt nigt t ?? accomp ishieol voriasoat Cle cond entettainment on Scottisl ql r ' ing the adventures of the unfortu e r t Edward. The Waterloo Saloon Ivas iell though not so uncomfiortahly crowadl.l a s neiday, a great ninny peross lonsinlm iohtl kept away by the fear of not obtiinon. pi, ' audience, however, wvas a moit sele O R hive rarely hladl ...

... oA O - I ?? Solajr andt Lunar Lessons on Rhymes for the Grave and F ay.' and Epistle to a Friend, Dy the Rev. Joseph Jones, i@. A-, of Repton, Derbyshire. I -The world is hll of splendour-all is bright: - Is itespaacsand towers survey, - Its 'here w ~ealthand art their store and skill display, And tte and grandeur glad the ravished sight. ~n~ogeos pmp ehol th me ofmight, In thonesdom ,and high ...

... THE CASTLES AND ADBrEYS OF ENGLAND. BY W. BEATTIE, Af.D. (,Mactimer and H seldine, Wigimoreestreet).-This is the first part of a work intended to illustrate the castles and abbeys of England, both by historical records and engravings. Fvery Englishman ];nows and feels the legends and events con- nected with these great fixed landmarks of English history. Our castles and abbeys do, indeed, ...

... AsITEhRMURA.T 9. TO ATHO~' ?? 'jPUBLISAER.S.- It being t .: he in'tidntOW' Ofih 't`1ERX from' th 6mmencement of the a ?? of, all'new pdtbiicati6_1ns ~dt' the~ ?? 'end of &ey mootb, so a o'oi ~MtTL ~ono LITERATURE, WO ?? transmitting the 'tts of'a'tiy' works tliev may publish All litrat woks dsdtisd ?? likewise 'be notiedl t he cuiet trr3atcles' or the4'h' LADY SYNOLETONO0R,,,THE. WORLD AS, 1 ...

... FOREIGN CORRESPONDENCE AND MUSICAL INTELLIGENCE. (EXCL.USIVE FOa THE ERA.) We find an account of the progress of the Italian Opera at in, in one of the best critical journals of the capital, in nalsy ?? fllowing terms:- LDysucceeds to dav and in sad monotony they resemble each Cr Tbhe repertory offers no variety, nor the singers either; and the 01 the public remains the same. Never were the ...