... TIHE P OLITIC AL B ID)S-- OT 0 T lER I A .ANIMA LS. (NOT OF ABRTSTOVttIANEs.) ?? THE IlEhiSE. Quirl;! quirlk! quirk! qllirk quirk' C obble! gobille! gobl)le! Here 's a pretty piece of work We're in t hobble. To feed on the land Our species wItS born Bet our ruin is plaun'd Throughi Free-Trade in corn. What a ?? shle me Let us hiss Peel and Graliin. Oh !cani' they the slid lug-scale Inatiape to ...

... ITILLAIi TESTIMONIAT FUND, IN AID 01 Tlll: EItI.- N ro01o A MUMUSIC AlL.L.-'The seconld choral inietilig took plame last night ut JExeter lall, the pro- gimiiinlme, aiS u1sual, being dividled into sacred and secuir parts, conducted by Mr. MAY. Amongst the fitrmer pieces were FARRIA Nr's altheml, ' Lord, ibr thy tender lnefeitil sake, which is always taken too slow ; and CROTCIH'S fine in1otet ...

... 1L I T I' 11. t le A'LI 'I'THLATIJ,?,'. Si r lD'A .A1t 1i, lt.b 1i.x 1LI ru o-i itiii Iv of .J1 ry itirst ro!l it-il ait this Ilattivt ivitS revivi I Iv-re, ilvi'i a Va~t ?? diiilrill_' li{-1 t1r- VI igioal'. 1Nc hlli,I of .dil-h li is ?? 0:1 pol Wir llNCH allnl Si RtllKi.ANJ, ijo pertinillld ClpfK>,lic~i 1Il..ieg/SmioothX 21lul ?? I ' I 11 il tiieir pliacs wure tile' i ly Mr. 1lit i nind Mr. ...

... [ *( THEATRl TilE. I i'i - ?? itiw IturI, swite interlude wats performed I.,- ~I i 7:, I I~it Mar fi~ Ab/i-s,. Few words will saiture i. (I th j v ri'4 bitt litut'lhable aiffair, whitie is from 1t1. I ST'tCQi tiltt. 'Pittl SCleneis thle Ch) :zb ton (Mr. \X ~AiWhere, ~fter sin- *ttW li-twef-n lthat _1rentletnazi and bis In ii it (it, 1JiChorl- A liqo /1 I1fiq1JS (Mfr r!! - i tiv ilwthaitii i-a ...

... MUTSICA L IN'l'I;LlI;NCE. 77eI jjsq'A thrtis, ri droinotic Mcfsuqsr, aeil'ittC71 asItZ e- eleyttil Ioj 1. Barto'tiloeit,~ to the Afitsic, as omoiPsed( n- by Louis Van Beethoven. Such0 is the title, of a piece produced] last nlight lit the. 1ti)Priueess's Theatre. The history of the 1 Ruins of Atlif ns li curious. In 1 Sciitr~xnitn's Biogvraphy of BIJET110- vii:.N-, edited by MOSCdnEsr~s, ...

... ?? MI.AJEtSTY'S THI'EATiE. | 'Ie great fact uf tile nitmical scason is the open dint' of' t1his see nobilelyrical institutio. Totieesta.blish muemitoftlmeson mimerim opera in this country, in I710, the revival of lngisi tastc for (fr music must be ascribud. A real love of art anonigst roval otnl ?? first ~~~Sr aristocratic mitateimrs was then first engenidered, amid with the marchI of time its ...

... Jll,' SICA, L JX'I'JI L i('EN(A. F io I I i i I I I i I I I I I E t I 1 4 I I I I I I I I t I4 4 Iv I i 9 I DiztUn Y-LANEt TuET Ixi'rii.-Tlue ti-ird represctt~ation of I) I ?? peraht of' T'k Crtailsder's, oil Sato rdtv tig ,lit, Ltits ft Veritable tri L Iph I fbi' ('Otttp mer, athtlors, anl a:rtists. hur house was Ctroll ided if) every tilt, till thi1 li't atof Nl1' tlIuNcelibt'Ill,(t' o urse ...

... LJ? I TER, ?? E. The Pictorial Gallery of Arts, Part XIV. Old England's llorthieq, Part II. Second Half. [C. Knight and Co. It is not often, in this age of progress and enterprise, that he who discovers a new path can long keep the 1 ad of the host of imitators and competitors who at once plunge with avidity after him. Ilis success frequently halts with the first stimulus. Ile ainy be content ...

... IIAY JIARKLET THEA TRE. Onl Saturdiny evening a new two-act faro' (adapted from tile French, by Mr. ?? ) was produiced here, entitled 'lj' Ifsl/ Post. It is a bu.Stlinig 1 go-a-head affair, ::nd kfept the audience in a perfect roar of laugohter from bemrin- iting to end. As tmay be supposed, tile plot ehietiy turns upon the blunders and eceentricities of a green youth from the sjster isle, ...