... MIUSICA.IL IN'I'ELLIGENTCE. 'TM1E B3RUUS LS OPlERA COMPANY. ,, 111M tx SL11311 Jfliguenlots wvas repealted list Ili'Ilit. M. e 'Ii ~ssor nlapuoeartnt in the part of Nevews, the operta tain- 1 iiA ?? by this accession. Ills issumltion of the soxromb in the first net waB s'dmirable. ?? delivery of on the lines, Vraiinent l'n lic peut croire et (q1el peint IT, e qili'e jour je utits perseciut6 ...

... IUSIC- 1L INTELLIGENCE. mgen, THE BRUSSELS OP1ElI Cojl~,~ . miter, Teetrrdn ryfmti clck Teexrodnrfieinmusical annimls of the tratta- ~f plantation of' atm entire troop from Bielgiumt to England, ifer- created last seiison a great Sensationm. Ammiteurs wrere e lit astonished to find such] at perfect pmerformmance from a Brus- nsort sels compmmny, find professors were amaized tit time energy of ...

... MUSICAL INYELLI GENCL., THE BRUSSELS OPERA COMPANY. After two representations Of MEYLeREtetRe'S gla- A rious opera of the Ilietguenots, the Belgians on S Saturday night afforded at specimen of their Vocal L. and histrionic abihftle a f! l;a Hlehl 8601 ! per- V formingm AnOLPnow ADAM'S popular Postillon (le 10 Leeejeueeeau and LEBRtuNc'S Rossianol. Thelast-meettiorted SI operetta, if enacted ...

... MUSICAL INl'TELLIGENCE. THIE MUSICAL UNION. The programme of tihe eigth and last meeting, which took place yesterday afternoon at Willis's Rooms, consisted of HAYDN'S quartet in D, No. 63, B. RoU1liaRO'S LIlegy for Violoncello, asd BaRTIIOVEN'S celebrated Septet in E lat op. 20. In the first of these works, the noble style and flexible bowhig ofthe presto ?? elicited rounds oftapplause. It the ...

... IFRENVCHPLA YS-St. tJAlIES'S TITHErIJ'RE. Last night MaidlIc. RACiHEL performed thle arduous part teir of P/ied,'e in RACINE'S grand and fearful tragedy of that s name. Thi~s performtance was one of remarkable contrast to that of Camille in Lis Hoaces, In the latter nil was me passive suffering natue, needinglittle of language to make tbe its way to the heart. In the former the unnatural ...

... FRE!NCH PLA YS.-ST. JAMIES'S T'TEA THE, Lost night TACTNE'S tragedly of At ndrontaolic wats per- formed here, the part of Jieritione by Md1ille. RACHEL, And Ndhat it performanes- it was I It' the great tragedian appeared Comparatively to disadvantage in the cold Sent! mental commnonpiaces of the C.i,? (as we remarked lin our notice of Frid aye perforinince), how grantdly, hiow teiu ipli- antly ...

... IJER MIAJESTY'S THILA2TIE, TAGLIONI. To the enthilsiastic lovers of the beautiful in art thelrs is no more pailiful ?? thanl that of wialiseesiu tile decoy of the powers of a great talent. The present race of opera frequenters associlite widt the name o'TAGi'OONI atli that wvos perfect in ChairegyallbY. She was the enchantress wblo pluriged tile senesc into VisiOnIs of graceful conceptions and ...