... tacitly giver. place to the other. Among the ;nany great tragic I ?? %which RACHEL, has resto. red to the stage (if we cau speak of restoration whore there is no record of any former living type), her Plcdrc stards forth as in its entirety the most perfect ...

... come fully apparent. In singing French and Ger- man music he frequently appears distrustful of his powers-his organ is, so to speak, more or less muffled. But in the flowing melodic phrases of ROSSINI, the Roman tenor comes out in the full flash of his vocal ...

... illustraled with maps. Tliis part cootj,,, - lent mapll]) of the orld oil MreatoI , ,. the merits of the wvork it wouild be vi speak. This cheap edition, revised and Mii 'at , ri. 't is calelatird tO pla;c 1 ?? Vtl eahic alitlir V xx, . reach of all. We therefore ...

... plained in the Edinburgh Review. Of Merivale's Rome under the Empire, a notice of the work bear- t ing that name, we can speak highly. It would not T be easy to specify any one portion as entitled to mor ce praise than another ; as a whole, it gives ...

... tiveexcellence, Y In the polacca she comutmanded an entcilsiastic encore. s OfbSignor IIAICAI;DE'S Aria'rO wte cannet speak approvingly, A provoking inequality is the fauit of this t'ising Singer. With ss exqtuisite a voice-a Voice perhaps wititout ...

... e impress of perfect originality whic i is sltamped upon every bar of Mo1YuEBEsER's niusic. And yet in a minor, and so to speak, tamer degree, IHALEVY has proved, in Lee ,fiivc, that hie posseses, to at limited extent, of course, these very qualities ...

... treasures of it the South, we have offered a fair ?? of the contents of a book of which we shall find it dif- e ficult to speak too highly. It is gratifying to mark the gradual but obvious elevation of tone and object of the majority of works now put ...