... difficulties with his arms, those awkward appendages, which will interfere with the comfort of amateurs. Whenever he had to speak he quietly folded them, and perhaps, as he could not get rid of them altogether, this was the safest course to adopt. The Don ...

... words she speaks, and is at - to make her audience appreoiate them too. If ahe goes sometimes tradition. you believe it is not from ignorance but from inteation, to by herself or directed by her teachers. Thus wre cannot, indeed we not speak of her performance ...

... Homespun of Mr Mortimer had real intelli- gence and real humour. In fact, it was the only item of which we can speak without reserve. We must speak suit/i reserve of what followed the comedy, for, owing to the delay and the waits, it was as much as we could ...

... interpreted as here. After heading a chapter with one of the most serious admonitions to be found in Holy Writ, the writer speaks flip- pantly of a young lady, lHow good she looks saying her prayers into herpoekethandkerchief. There is really nothing ...

... trap, a soda-water bottle half filled with water and tightly corked as a minnow carrier, &c. We also observe that the author speaks of the price of really capable works on angling as prohibitory to that class of anglers who work at the mill, factory, counter ...

... Mackintosh Moke. Half Mr Duke said was inaudible to the audience, owing to a whimsical idea on the part of the actor that speaking in a hollow whisper umparted the requst rleyt a comic part. Mr Sanderson was ao better ?? conception of the lady-killer was ...

... beautiful. When the curtain drew up on the first of these the cheering and applause became quite enthusiastic. If we could speak with the same confidence respecting the acting we should be glad, but we are compelled to say that the rendering of such a ...

... did net speak at all it would still be a Pantomime. The witness Young, in answer to Mr. Coleman, said that he had known plenty of Pantomimes where the Clown alone spoke. He recollected Grimaldi, the Clown, and old Barnes, the Pantaloon, speaking, and he ...

... reading of the text mar- velloosly correct, euphonious, and appreciative. It is devoid of all trick or unnatural artifice. He speaks to the judgment of his audience rather than to their emotions, and his utterance is accompanied by an action graceful as Nature ...

... ini Heine's lifetinse. The poet thus speaks of him: H~eis indisputably the artist in Paris who finds the most unlimited enthusiasm, as well as the most cealous opponents. It is a characteristic sign that no one speaks of him with indi! - ference. Without ...

... THE TERROMU OF TIHE STAGE. The influences of fear upon the mind, especially of that please of its organisastion wihich we speak of as tie Imagina- tion, are beth meanifold and powerful. Terrorin some form or other is a very iIportant olement in ill rcligious ...

... R1EALISM AND DRAIMATIC ART. (TO THIE EDITOR OF THE ERA.) Sir,- Burke, in his essay on the Sublime and Beautiful, speak- ing of vhalt he calls cstwpointl abstract atora(3, asserts that they are in reality but mere sounds. ''Sounds, he goes on to sy ...