... finest periormance of the Colloen Bawn we have seen in Glasgow, the representation of last evening is by no weans the worst. Speaking first of the ladies, we do not know that Mrs Margaret Eburne's 21rs Cregan, or Miss Clara Rose's SIheelah., has been surpassed ...

... LITERBATUBE. (1) PJfasw NichoPs Tables. :Befoor speaking of the utility or ingenuity of professor Nichol's tables, it may be mentioned that they have been compiled, as he e with a view to assist students in 5scia e wiin events and the leading literary ...

... indeed, he has not acted as his own 5fpt5C. On his own head, therefore, rests the Ze or blame, if there be either; and, speaking athefirs hsty impressn, we are inc]ined to i that he will be credited with less of the -ibrrer thant of the latter.' We shall ...

... L'ypothenuse is equal to the squeares of the other two 5ide.' Iztorance is a proper Cause for lamentation, tot ior exult-tion. in speaking of J. S. Mliu, tie authortoils how John &teuart-was punished, saisavs:-t ' I lash upon thas training as far mrore deleteriousc ...

... favour. Nevertheleoc, the strentlht ti, a cantata lies in its songs. (lucts, and toiO, the in music of which is, generally speaking, expresive 1D while free from pretence, and marked by a, a delicacy of feeling quite ih Izarmony wri6 the v. subject. Madame ...

... of treating appropriatelyevery ease entrusted.' to him, and of making each client speak as an in.' telligent person, without professional aid, might be. expected to speak in ceraii circimistanceea which chiefly determined the style of Lysias . ?? , The ...

... you live as long. There was. no more said about the magnificence of the Exhibition that evening; and I was grateful to the speake or having suggested a new treatment of the subject for a future ocea- sion. It is not youth, surely, that enhances the merit ...

... questions, Why' en should I open my hand? Why should I open my de heart? Why should I speak to my brother? will never be asked agaiu. Is it not far better to speak de than to walk threegh life silet, unknown unknow- th ing? Has any one of us ever spoken ...

... remarkable book, but we are so over-bur- Is' thened with a sense of our incapacity to do so, no that we must ask the poet to speak a little for P: himself and make some compensation to our 8s readers. The following sonnet, from section Hers, is perhaps ...

... overhears and sees, unseen, the romantic loves of the sundial and the fountain. In replyto the tender wish that the sundial should speak, he replies from his invisibility, ,and declares that the love of Vavirwill to-morrow disenthrallhim from the stone in which ...

... im~prhes3es ?? the effect 1 ofia cornversation. I-lie actionl is eloquent, and notably at the clse of the play, woile he is speaking in anxiety and bewilderment, his tremlulolls hanlds, hi fine disregaid of the old s rule of suiting tihe action to thle word ...

... not s ~en any of his Shakespearian pro- g ducts, although we have heard good things of 'e them; and we , u at present only speak briefly s about Sardanap. dlus, which, more than any work of the grew ter dramatist's plays, must have tried Mr Cask ert's ...