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Republic of Ireland, Republic of Ireland

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Dublin, Republic of Ireland

Access Type

541

Type

541

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THE IRISH LANGUAGE

... yezar since, Mr. John Fleming ac- )centuated the fact that in Irish-speAking districts the results fees earned for teachers by pupils are c.ensiderably higher than those in English-speak- ing. He gave in detail the statistics which bore out his contention ...

A PORTRAIT OF THE POPE

... temples. His cassock seems'to envelop only the ?? of a body, just enough~humanity to hold a soul. -He speaks very slowly, particularly whenf he speaks in French. In Italian he Improvises withrapidity, but in French he has to call on his memory, which is ...

THE IRISH LANGUAGE

... present, because when their grandfathers were going'to school the speaking ot it wars made penal. The boys sad girls wore what was called a tally round their necks, and if they were known to speak a word of Irisbh a nick was put in the tally, which was made ...

THE GAIETY THEATRE.—MARITANA

... realise any other Filina but here, so it must -be difficult, to imagine a Maritarn who meets the ideal she has created.- To speak ef her delightful vocalism and charm- ingly graceful acting were a tempting theme, but, after all, no one in Dublin need be ...

THE DRAMA IN LONDON

... entertainer, and your own name appears in letters not unlike those 'which stand' below a Roman bust. With such -6 pllaque so to speak, I was bidden some diays ago to come to a recep- tion given by Xr. Woolcome an American, to Mr. Winch, another child of the ...

THE MUSICAL SEASON

... gifts. -, There is to -be another lady violinist, MdUe Anna Lang, from Stockholm. M Hoilman, violonceflist, will, if report speaks truly,, vindicate his own powers and the cipabilities o'of -his instrument with: the highest efficiency An eminent Dublin ...

THE GAIETY THEATRE

... Arnbhei, and Mr. Snazelle adinirakle as Devilehoof. Miss Josephine Yorko was the Queen of the Gipsies. The opera was, generally speaking, well given, and told on the audionce, who ooored several items heartily, hrmongstth rest,I dreamt that I dwelt nd The ...

THE GAIETY THEATRE—ESMERALDA

... part writh great ability, his splendid voice being most effective in the finer scenes; especially in the last act. We cannot speak too highly of Mr. Crotty's Quasi- modo. It was a most dramatic and pawerful re- presentation of the hunchback, onie of Victor ...

THE GAIETY THEATRE

... TAIE GAIETY THEATRE. Last evening luch Ado albiut Nothing was produced before a full house. Speaking gencr lly of the perfortwinc?, it rrtay be descrihed as hz been in every sECs? most satiofacto y. Of liss Wallis's Beatrice there cannot be a sccond ...

LAST NIGHT OF THE ITALIAN OPERA

... bowed his thanks, but there were cries of Speech, with which he had to comply. He said he Lould not speak English very well -perhaps he could speak better in Irish (laughter'. They would excuse his mistakes, but he would do his best. Ladies, gentle- ...

ROYAL DUBLIN SOCIETY'S SHOW

... was read over, from a which it appearesl that nlsile speaking to a gentle- I roan in Patrick-street the prisoner came up. He c 'had heard o1n reliable authority that Hannan had a been publicly speaking of his being improperly 3 e concerned in the taking ...

THE GAIETY THEATHE—MRS. BERNARD BEERE

... which any actress might well feel proud. Triplet is a part oi wonderful interest. No more completely painted part, so to speak, is to be found in tie dramas of to-day, and Mr. Standing, although he failed to equal or even approach the success with which ...