THEATRES
... TI-IEATPESI- TtiF, popularity of FDo-n at the Hlaymarket, and the renown hic nI Madame Sarah Bernhardt has won in France in the part of the heroine of that sombre but powerful play, necessarily render it a tempting object for the irreverent purposes of the parodist. Accord- ingly, itbhas already been the subject of travesty on the French stage; and it has now occurred to that chartered ...