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... To the Editor of THE STAGE. Sm, Although not mentioned in your last edition of Thb Staob, I lost everything belonging to my False Lights tour in tho above fire. I had stored all my Btuff there till I started, this year, my third tour. I am now busy on new models for a fresh supply of Kino Vu.it hfhl]v von I'M FRED SINCLAIR Lyric Opera House, Hammersmith. ...
... . LONDON AND THE PROVINCES. SIR,--The state of dramatic writing and production in the provinces, and the overwhelming percentage of London successes in every theatrical bill of fare, are indeed matters of no little pith and moment, and well worthy the attention shown them in recent issues of THE STAGE. Ever since our drama began to deserve the name of a national art it has beon regarded as ...
... . To the Editor of Tub Staoe. Sib, I read with greai; interest and pleasure the letter of your lady correspondent A Music-Hall Artist, and trust you will afford me a little space in your valuable paper to express my admiration of her well ana defined vie#s, with which, surely, ovory artist, music-hall or otherwise, will heartily agree. Undoubtedly tho critic is necessary and useful, but ...
... . To the Editor of THE STAGE. SIR,-- As one who, though engaged in a humble position, has been earning a living on the music-hall stage, or, as it is more properly called, the Variety stage, for many years, I think you will agree that I should know something of my subject. This being so, I feel sure that you will give me a little room for a few remarks about the profession by which I gain ...
... . To the Editor of THE STAGE. Sm, I beg to enclose you cheque, value £4 10a., subscribed by the members of Mr. Lester Collingwood's When London Sleeps Co., in aid of the unfortunate artists who lost their wardrobe in the fire at Hartos, Manchester. I am. vours faithfully. WALTER E. BARRETT, Acting-Man ager, When London Sleeps. afan^ Ccw, per Eric Hudson 0 10 6 ...
... . I Sib, In the leading article of the 29th J lit., in which aro reviewed the dramatio u jrrKluctions of the year, there is no mention c >f one of tho most successful revivals of Ma cbcth over known in the provinces, unning as it did for nearly nine consecutive f veeks which, I believe, is the longest run mown of Shalcespearo's tragedy. Your Manchester correspondent gave a f rery favourable ...