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... THE ART OF THE CINEMA. Realism and War Memories Havoc, at the Capitol Felix Keeping On. By S. R. LITTLEWOOD Possibly it is mere coincidence that we are getting a rush of war-films just at the time when under ordinary circum stances one would have thought ...
... 8.30.-- GEORGE AND MARGARET (Wyndham's). 8.30. While every endeavour is made to keep this list up to date, we cannot hold ourselves responsible for any errors which may occur. CRITICISMS IN CAMEO. In GOLDEN BOY, at the St. James's. Joe Bonaparte (LUTHER ...
... is When evil stalks abroad in such a self-proclaiming uniform, our hearts may palpitate, but at least we can take to our heels. The true terror would be to encounter on the stage a Count Dracula who looked no more surprising than the man sitting next to ...
... THE STAGE. SHE LOVES ME NOT, produced at the Adelphi, is not a play-- it is a delirium. A cabaret girl feverishly dances in a night club, shots ring out, and a man falls. Black-out! Lights on the lower stage, where a Princeton University student's embryonic ...
... Fairy Prince. So with the laws of criticism, which may be an art itself or not, just according as to whether or not he is an artist who does it. Sometimes it is a good thing that a critic should keep entirely clear of all technical experience; sometimes ...
... Bendish. Mr. Frederick Piper is the kind of countryside waiter who makes one alive to the full meaning of the word hang-dog while Miss Agnes Lauchlan makes one no less alive to the full meaning of the word arch. Here is a typical contribution to Plays ...
... THE STAGE. By IVOR BROWN. WHEN a successful farce-writer writes another farce it is fairly sure to be successful, provided he has the right sort of cast and production. Everybody says that everything is grand or as near as may be. But when a serious ...
... 8.15.--' I KILLED THE COUNT (Whitehall). 8.30. While every endeavour is made to keep this list up to date, we cannot hold ourselves responsible for any errors which may occur. CRITICISMS IN CAMEO. Sherriffs snapshots from MOURNING BECOMES ELECTRA, at ...
... THE STAGE. By IVOR BROWN. SHE wouldn't, you may tunefully remember, say Yes and she wouldn't say No. In Mr. Kenneth Home's comedy at the Ambassadors Theatre, YES AND NO, she obviously says both. One act shows what happened when the country rector's ...
... WINTER'S TALE (Open Air Theatre, Regent's Park). White every endeavour is made to keep this list up to date, we cannot hold ourselves responsible for any errors which may occur. CRITICISMS IN CAMEO. THEY CAME BY NIGHT, at the Globe Theatre. John Fothergill ...
... us to doubt whether it is alive or dead, and setting innocent members of the cast to gather round the ominous trunk and fiddle with the lock. The mode now is to give these affairs a psychological aspect. Mur derers on the stage have ceased to be criminal ...
... and Mr. Allan Jeayes. Soon after the start of the run it was announced that these excellent players were collaborating to keep alive a piece which had inevitably suffered from a frosty welcome in the Press. If the play had also been cut here and there they ...