... ILiszt, Mozart, Bach, Tschaikowsky, Debussy, and = Drvorak. Schumann’s Overture, Scherzo, and Finale wera exceptionally well piayed, the beauties of tlie compesition being fully vealized. The subtleties- of the Debussy prelude were not quite appreciated ...

... particularly encouraging. He did not know whether Leeds people wanted stimulating with the violent success of persons like Debussy, or whether, if the society returned to its old plan of canvassing for support they would get it, but bhe knew it ought not ...

... piece of this description lends itself, also proved suitable to her style. Modern music was represented by three items of Debussy, ““Canope,” “Ondine,” and his brillian ffective ““ Feux d’Artifice,” which had a s usual elusive colour effects. “* Le Giget ...

... examples by’ Secarlatti, Mendelssohn, Brahms, and Chopin’s familiar study in G flat, which was encored. Of living composers only Debussy was represented by two of hig characteristic compositions, which would have been better for.more variety-of. tone and colour ...

... carelessness, too often-a failing with players in the same circumstances. - ! T . Miss Coggill was probsbly at her best in two'Debussy items which test the capacities of tha. player ;in vardous directions, while she also showed high possihilities as a pianist ...

... Fugue in c s‘,bfl‘ ; stein san‘atn, q ,ofl nphoniqfles,’ ant O{pr les of the plii’l‘“ohm : Scarlatti, Mefldf,'rau;lt' j hopin, Debussy, o Union’s rogrqm!”’ s on Tues£xy, Wfl&:oflg' «p Tale of old & '{,emi - ems, the 01032 r,“{;lla Miss M Scotb(‘;’ba;ef yd Mr- ...