... DEBUSSY AND HUMPERDINCK. Debussy is now name attract the public, though perhaps curiosity has still something do with this. Those, however, who went to the Leeds Grand Theatre on Saturday afternoon expecting to be mildly scandalised by unauthorised p ...

... •'PELLEiS ET MELISAXDE. (From our London Corbesponoest.) Chief interest the revival at Covent Carden last night Debussy’s Pelleas et —dealt witii so freely that Maeterlinck hardly recognises his own book—-centred in the appearance Maggie Teyte file heroine; ...

... become associated with the school of thought as represented l»v Debussy, their use has created tin' idea tliat the Ime of demarcation i ...

... i'ubliratitras. Musical times tor November. Price Posisse, i?d. Wiliam Boyre. U C COI.LKS-Debussy ta Mwn.-, by KRNEdr -The Wbok-Tosse Beak sod li« praclirsl urc. O. H. CLUT»AM ...

... interesting turn from French the moat famous of the loter French sritool which lie did &o miich form. Debussy's Petite Suite is by moans the ma tune Debussy. One might trace tiie influence Biiet, but it already has much of his individual charm, ami that ...

... PLACE, LEEDS, WEDNESDAY, October sth, 1910, at 7.30 p.m. prompt. The Programme will include Vocal Items by BACH, DONIZETTI, DEBUSSY, HANDEL, WAGNER, LftlC J. WOLFF, FRIiDERICK DELIUS. .Some Ballads; and New Songs Mr. ERNEST BILTCLIFFE ■iickets 2s. (reserved) ...

... ved recall. Her other songs during the afternoon Were Coleridge-Taylof's Life and Death, Massenet a Crepusculi. arid Debussy's Madoline.' Each was delightfully sung. Mr. Julian Clifford accompanying, and there was quite ovation at the close. The ...

... was introduced, for the first time in Yorkshire, by Mr. Montagu Nathan. It is a piece of tone-painting in the Debussy idiom, but without Debussy’s lightness of touch, and with a solo violin part which in some of the more florid passages seems rather like ...

... impressionistic musk*. In a series of portrait sketches. lie gives brief appreciations some the most French composers our time. Debussy, whom reference is constantly made throughout the volume, course the most individual and. perhaps, most influential all. It ...

... music France. At the head the modern composers placed Debussy, who stood th** model for musicians like Maurice Uuvol and Gabriel Dupont, and the leader innsical revo!i»t'opi*t 5 nh s rnun‘rv. Debussy's work reflected Asiatic influeuco which pervaded Russian ...

... and the Flood ..H. McOunn Val«e Tribto Sibelius from Deity, for strings ..Orwnger Pianoforte Solo—(a) Rotteo. dan* -1 Debussy (b) Rhapsody No. 12 ..Lisat Overture Ballo Sullivan .Solo Pianist: Mr. ANDERSON-TYRER. SECOND CONCERT. December Ist. Iverture ...

... opportunity displaying his wonderfully firm bowing, brilliant execution, and splendid tone production. The works of Kreislcr and Debussy, and Auguste Wilhelmj'sarrangement WaJther** Prize Song from Wagner's ** Mastersinger*,** formed the second part the programme ...