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... follows: Concert Overture in C. Minor (A. Hollins), Recit and Air ““O Loss of Sight,” ‘“Total Eclipse” (Handel), Andante (C. Debussy), Air for G. string (violin and organ) (J. S. Bach), Duet “Lead, Kindly Light” (J. Mat‘thows), Symphonic Poem ‘“Beyond the ...
... a pianist who posweasos a remarkably fine technigue, delighted his hearers’ with the pianoforte solos (a) ‘Arabesque ' (Debussy) and ih) ‘ Callirhoe ' (Chaminade).”’ Mr. Matthews studies the pianoiorte with Mr. Frank D. Pescott, A R.C.M The following ...
... technical and ar tistic sides of his art. He has arrangec a very varied programme, ranging l“rmr R W T i R e . | Bvrde to Debussy; and he knows how No arrangements have been made tol to make the old simple music as nttra(‘-‘ save time at the proceedings ...
... two excerpts from the oratorio m--son ’ (Handel). Mr. Matthews followed with an ‘“ Andante” from a string quartette by C. Debussy. This highly original work received careful treatment, the quiet, mehsatuve moed being admirably interpreted, and the most ...
... whatever their nationality, than exists between, let us say, such typically German and French compesers as Max Reger and Debussy. To express their differences in words one would speak of Reger as at his best, noble and dignified, with a masterly control ...
... Grieg's leaves the question of the offer of the The Birds, one of her tavourates; es. Ad a on l y . the Chopin Vane trete; Debussy's lamin a position to state that a)- Sarre, et Profane; and, of though wires passed b. tween Guernsey, smanse, The Vision ...
... J. Horsman, which was a very enjoyable item, is a meditation inspired by &r&y’s ** Elegy.” Equally enjoyable was Claude Debussy’s Prelude to ““ La Damoiselle Elue,” in which is conveyed the composer’s impression of one of Rosetti’'s well-known poems ...
... maly form the subject of a future article. In piano music, one of the most deliguhtfully witty pieces of modern times is M, Debussy’s “Dr Gradus ad aPrnassam.”” Not all, by any means, of this composer’s output can be commended, for much is far too eccentric ...
... the second part with Beethoven’s Romance in G which lost none of its beauty by her dainty handling. Miss Hirschfeld played Debussy’s Deux Arabesques with her accustomed accuracy and lightness and entirely from memory. Three songs by Miss Edmonds gave so ...