... ILiszt, Mozart, Bach, Tschaikowsky, Debussy, and = Drvorak. Schumann’s Overture, Scherzo, and Finale wera exceptionally well piayed, the beauties of tlie compesition being fully vealized. The subtleties- of the Debussy prelude were not quite appreciated ...

... opportunity displaying his wonderfully firm bowing, brilliant execution, and splendid tone production. The works of Kreislcr and Debussy, and Auguste Wilhelmj'sarrangement WaJther** Prize Song from Wagner's ** Mastersinger*,** formed the second part the programme ...

... particularly encouraging. He did not know whether Leeds people wanted stimulating with the violent success of persons like Debussy, or whether, if the society returned to its old plan of canvassing for support they would get it, but bhe knew it ought not ...

... worth hearing. Tschaikowsky’s Capriccio Italien and Debussy’s L’Apros Alidi d’un Panne were more familiar. The one is obvious, the other essentially subtle. There were good performances of both, but Debussy’s work still seems to demand a little more than ...

... viol ini.* I. SdinnoN soh»s Chopin's in I* sharp minor, and among Mr. select ions were Minuet arranged In Krtesler. charming Debussy, and Mazurka, by Wieniowski. for whieh was encored. AU the item?, both vo-.a! and instrimientdl, were enthusiastically applauded ...

... piece of this description lends itself, also proved suitable to her style. Modern music was represented by three items of Debussy, ““Canope,” “Ondine,” and his brillian ffective ““ Feux d’Artifice,” which had a s usual elusive colour effects. “* Le Giget ...

... and power, demonstrating the wonderful technique made possible the modern piano. Following Chopin ho gave selections from Debussy, George Ford. Arensky, and Liszt, the final piece being Liszt’s arrangement of Mendelssohn’s ** Wedding March.” At the conclusion ...

... skill and power, demonstrating the wonderful technique made possible the modern piano. Following Chopin gave selections from Debussy, George Ford, Arensky, and Liszt, the final piece being Liszt’s arrangement of Mendelssohn’s ** Wedding March.” At the conclusion ...

... examples by’ Secarlatti, Mendelssohn, Brahms, and Chopin’s familiar study in G flat, which was encored. Of living composers only Debussy was represented by two of hig characteristic compositions, which would have been better for.more variety-of. tone and colour ...

... Schumann’s tremendous Etudes Symphoniques, and finished up with nearly score of smaller compositions Byrd. Bull, Brahms, Chopin. Debussy, and others. In all these pianist seemed equally at homo, and played with rare sense of the special significance each composer’s ...

... carelessness, too often-a failing with players in the same circumstances. - ! T . Miss Coggill was probsbly at her best in two'Debussy items which test the capacities of tha. player ;in vardous directions, while she also showed high possihilities as a pianist ...

... Waldstein Sonata (Beethoven), Etudes-Symphoniques (Schumann), and works Byrd, Bull, Scarlatti, Mendelssohn. Brahms, Chopin, Debussy, Tausig, and Liszt. Plan, Tickets, and Programmes Smith and 89, Cookridg»>*treet. PHILHARMONIC SOCIETY IN THE TOWN HALL. WEDNESDAY ...