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... music France. At the head the modern composers placed Debussy, who stood th** model for musicians like Maurice Uuvol and Gabriel Dupont, and the leader innsical revo!i»t'opi*t 5 nh s rnun‘rv. Debussy's work reflected Asiatic influeuco which pervaded Russian ...
... bad s part, includ. ing sishort choral pieces displaying the greatest possible varicty-and style. Certainly from Handel to Debussy is a far cry. but fairly catholio judgment should able to recognise genius alike in Coronation Anthem, “The King Shall Rejoice ...
... madrigals. Tho letter may remain, but it is possible to lose the spirit. Miss Gertie voice shone artistically studied rendering Debussy's air, Delia.” and she gave tho right colour to a set Lira Lenina V* Bird Songs.” Mr. lleginaid Luther, who has a capital ...
... of strident leadership, Mr. Sammons blending his with that of bis brother players, and making a rare ensemble. Beethoven, Debussy, and Tsohaikowsky wore drawn upon. Beethoven’s Quartet in E flat, op. 74, afforded opportunitio* for tbo revelation of grandeur ...
... and of handling. It attempts story, but suggests mood and atmosphere vividly and with uncommon charm. It may owe something Debussy, but it is individual music, and has rare discretion of thcmrw. It was played with remarkable refinement under Mr. Beechom’s ...
... and just sense dramatic emphasis. The rest the programme, including Mackenzie's “Britannia Overture, a Liszt Rhapsody, and Debussy’s “ A pres midi d’un Faune, was dealt with in equally good style, and met with further encouraging proofs of favour. ...
... Corot-like pictures of forsaken gardens and woods, full of delicate colour and feeling, anil the dainty touch of his “On Debussy's Shepherd-Boy ” charming. Miss Eva Gore-Booth’s poems in The Perilous Light” have rare merit. Their language naturally nuisicMl ...
... compositions which illustrated the earliest and latest types of quartet music. But though more than century separates Mozart'from-Debussy, and the period one the busiest developments in.the art, one would be loth to say that the later eorapoecr’s methods, though ...
... including Bonnet’s remarkable and exacting Rhapsodic Catalano. To cover field represented TscthaikoWvSky, Gkzounow, Ravel, Debussy, and Bonnet is significant a great deal to wihich are glad pay testimony. THE LATE MR. E. W. SILVERTHORNE. General regret ...
... Meiefersinger”. Wagner to Sachs. Finale > . ia) “ Poisscni ...
... force to its dramatic aide, without the least straining bis resources. Mr. Clifford played, with accustomed fluency and ease, Debussy’* Toccata and » refined and effective Caprice d’Amour ol his own. Not the noteworthy feature of programme the four eoogs ...
... exceedingly well played, was the Tannhiuscr Overture, which ended tho concert. way of contrast, tlto delicate,-elusive fancies of Debussy's I/Apreo-ifidi d’un Faunc” were very enjoyable, and two rhapsodies on folk-times, Liszt's Fourth Hungarian Rltapeodv and ...