... heads. I once heard a woman say that they are teratologists. I expect they are. They know all the 'ologies. Including ap. The theatre, which is a treat to everyone else, is nothing special to the critic. Where we sail into the circle, or push into the pit ...

... OUR CAPTIOUS CRITIC. BLOOD AND SAND AT THE NEW THEATRE. FOR a dainty, æsthetic title to a play give me Blood and Sand. Lilies and Langours would be comparatively coarse to it. Who's Who in the Theatre gives a list of plays pro duced on the London ...

... hearing, I visited his theatre with confidence. I was not disappointed. It is a significant fact that the only place in the leading English seaside resort where music worthy the name can regularly be heard is a cine matograph theatre. But let us return to ...

... THE BABES IN THE WOOD AT THE NEW OXFORD THEATRE. I WONDER you I will still be talking, Signor Bene dick. Nobody marks you. The fear that he will not be marked haunts the journalist throughout his career and the astute fel low, knowing that a pessimist ...

... gi om.^ cmY) y XT THE NEW THEATRE. By JINGLE THIS is a picturesque play about a bull-fighter, with I local colour, as it were, in streaks. For instance, the first act takes us to Madrid on the day of a Corrida, while the great Gallardo himself (Mr ...

... OUR CAPTIOUS CRITIC. v/ SALLY AT THE WINTER GARDEN THEATRE. THE announce ment of the hundred and fif tieth. performance of this musical comedy last week reminded my col league and I that we had left it out of our round of visits at the time of its pro ...

... Clifton, made her début in the wilds of Whitechapel-- they were wilds in the early part of last century-- at the East London Theatre in a character called Crazy Jane, though the name of the melodrama is not stated. She was evidently a very beautiful girl ...

... written forty years ago by a composer twenty years dead, all of them not only in the repertory but capable of filling a large theatre night after night It is an unparalleled record. You ought to go and hear them at once. Such, at any rate, was the gist of ...

... ...

... OUR CAPTIOUS CRITIC. O v.. LONDON'S GRAND GUIGNOL. Ge&S. THE Little Theatre now gives us a whole evening without a single corpse on the stage. Death comes on once, it is true, but he has no luck. It was ever thus. You try to shock English men by realism ...

... as it were. \\f ithin the past week, for example, not only have we had these performances of one of his plays in a London theatre, but we have seen Dryden's satire on him quoted by Lord Robert Cecil parodied, that is, to present a picture of Mr. Winston ...

... OUR CAPTIOUS CRITIC. THE WHEEL AT THE APOLLO THEATRE. THERE were two points of interest in the production of this play. One was the desire to know if Mr. J. B. Fagan had written some thing good, for his writing had always been creditable, if not brilliant ...