Reminiscences
... , by Sir Vincent Corbett. (Hodder and Stoughton, 20s.) The first forty years of Sir Vincent Corbett's life correspond exactly to the last forty years in that of Queen Victoria an era whic ...
... , by Sir Vincent Corbett. (Hodder and Stoughton, 20s.) The first forty years of Sir Vincent Corbett's life correspond exactly to the last forty years in that of Queen Victoria an era whic ...
... Sirocco, Sheiks, and all for the Love of a Woman The Saint Gone Wrong Halting Thrills Peptonized Switzerland Those Clear-eyed Administrators ANNE was a determined character from h ...
... , by Quex. (Stanley Paul, 3s. 6d.) Phis appreciation of has been written by a trained London journalist, who has kept his eyes open and his note-book handy during his visit to Manhat ...
... Back to War and Romanticism The Arrogance of Ignorance Napoleon makes Thunderous Love Too Many Dreams That Came True An Indian Love Lyric Dintviddy's Island IN the world of newly- ...
... MODERN LIFE IN BOOKS Banned in Boston but a Book of the Month By the Clock of St. James's Textbooking Our Times Fiesta by Ernest Hemingway. (Jonathan Cape, 7s. (id.) By the Claele of St. James's, by P ...
... SUCCESSFUL SPRING BOOKS Money Talks About The Big Best Sellers and The Modest Remainders WE have it on the authority of a poet, which is always good, that in the spring time a young man's fancy lightl ...
... Philistines in Parnassus Xantippe s Husband The Soul of a IVar Bird Middle- Aged Follies Bournemouth in Sicily This Expressionism THERE is no apparent reason why a professor, with ...
... Qjvw Cm c THE VAGABOND KING AT THE WINTER GARDEN THEATRE. THE critics are men of serious mind who always weigh musical comedy by avoirdupois, so they find The Vagabond King nearly perfect. Listen to them. Why drag in Villon? asks one. (The reason is that when your story is too tall to be swal lowed as fiction you have to drag in a figure of history.) A gripping, dramatic situation. (But ...
... r> OP^Jfntc ON APPROVAL, AT THE FORTUNE theatre; SINCE Mr. Frederick Lonsdale left off writing the words for musical comedies and trod the severer paths of the legitimate, he has been extremely successful, and vet his plays have left you with the impression that the musical comedy libretto is his true metier. For the situations to be the weakest part of your work and the jokes the strongest ...
... cf C^ous WHEN CRUMMLES PLAYED AT THE HAMMERSMITH LYRIC. IT is doubtful if anyone but Mr. Nigel Playfair could have made a success of the present entertainment at the Lyric theatre at Hammersmith. At least nobody else does do such things as he does, and presumably in the exercise of their profession of searching the public pocket they would imitate methods which are success ful if they could ...
... O Of1'005 Oc THE WOLVES, AT THE NEW THEATRE. WE get such a number of plays in which a pretence is made of showing us human nature in the rough-- whether in the city underworld or the toughs of prairie and sea-- but in which this roughness is so polished and sweetened that we suspect a Sydney Carton lurking in every cut throat, that The Wolves at the New Theatre is by contrast refreshing in ...
... Qur Oft'0* Ot GOOD MORNING, BILL! AT THE DUKE OF YORK'S THEATRE. THIS play, by P. G. Wodehouse, is a triumph of good acting, good- humour, and amusing conversation over a weak story. Whenever the piece threatens to hang fire, whether through monotony or incredibility of situation, an odd remark, perfectly delivered by one of the small but clever cast, causes the sails of the venture to fill ...