... The Baby Watford JUST as well Jon Canter's first-born full-length stage play is a complete over-the-top comedy, otherwise audiences would be in grave danger of leaving the theatre in deep mourning for modem man. The caricature characters in The Baby are all stressed pieces of driftwood and debris on the snores ot modem society, in need ot both therapy and treatment. At the centre is Helen ...

... Iphigenie en Tauride CARDIFF GLUCK may not be a major draw at the box office, and his masterpiece has little chance of making the CD charts--but what a memorably power-packed night in the theatre Welsh National Opera made of it. The French producers, Patrice Cauner and Moshe Leiser, working in Britain for the first time, eschewed the visual delights of eye-catching sets, attractive costumes, ...

... Baby Baby Kings Head Theatre Ci ub THE SCARLET Theatre Company create their productions through a process of devising and improvising upon a theme, working with the writer to build a script through rehearsal. Baby Baby is the result of a collaboration by the core company, Grainne Byme, Sophia Lovell Smith and Maggi Morrison, with the writer, Anne Caulfield, and the director Birte Pedersen. ...

... Dames At Sea Oldham GEORGE Haimsohn and Robin Miller have written a delightful pastiche of the Hollywood musical in Dames At Sea at the Oldham Coliseum and part of its success lies in the naive charm of those vintage years captured affectionately by Jim Wise's nostalgic music. The small cast of six play roles familiar to everyone who fondly remembers the traditional plot of finding a bam and ...

... Romeo And Juliet BIRMINGHAM At the first schools matinee of Birmingham Royal Ballet's 'new' Romeo and Juliet--in Kenneth MacMillan's familiar 1965 Royal Ballet version, newly designed by Paul Andrews--when Romeo (Joseph Cipolla rejected the challenge to a dual from Tybalt (Even Williams) the young audience was held in thrall. For at this performance's most forcefully dramatic moment, as ...

... The Return Of Ulysses ENO ENO's revival of its 1989 production of Monteverdi's The Return Of Ulysses is not a happy occasion. David Freeman's staging oscillates between the banal and the moving, though even the dodgier moments might have been overcome by stronger casting. David Roger's clever design makes for fluidity of narrative, areas of con current action often throwing up significant ...

... Eugene Onegin Haslemere PUSHKIN'S poem classic Yevgeny Onegin was a natural for Tchaikovsky's music. As he composed his fifth opera he clearly saw the potential of the letter scene which it is said he wrote first. It depicts the heroine in her most emotional state and the beauty of the composer's music in that long passage fully justified his use of the Russian's poetry. After a very poor ...