... To the Editor of Tut-; Stage Sir, I am at work on a history of the Exeter Theatre Royal and should be most grateful to any of your readers i who could tell me of interesting inci- j dents, outstanding anecdotes or anything which would assist with the production. Since 1735 there have been five theatres. It is possible that there arc many in the profession who performed at the Bedford Circus ...

... To the bdilor of lilt StACt fear Sir. I am engaged on a bio- graphy of Ivor Noiello. which u ill he published hy the Falcon Pre in the autumn. Any of your readcrx who may have letter* from Mr. Noiello. or relevant cuttings or information, may he able to I loan them lo me. AH material will he l acknowledged and returned within a few Yours sincerely. PETER NOBLE. 9, Rex-place, Park-lane, W.I. ...

... To the Editor of I mi Stage Sir. May I ask lor space in your columns to draw attention once again lo an age-otd scandul ami injustice to artinta. now seem ing l\ more prevalent than it ha* e\ e? been in my 40 years in the profession-- thi* non-return of arti*tV photograph- hy ;iycnts and man agers. At the prevent moment 20 i agents and managers per cent, of whom are members (f the Agents' ...

... To the Editor of The Stage Dear Sir. I had the pleasure of >ceing a most admirable performance of Veronique given by the Garrowhill Operatic and Dramatic Society. Listen ing to Messager's lovely score. I wondered why this delightful comic i opera has not lately been revived. I saw it in Edinburgh some 45 years ago, and f don't think ft has ever been done in Scotland since by a professional com ...

... PROTEST FROM SIDE-SEATS To the Editor of The Stage Dear Sir, A protest teems neccssary. For *ome London producers and designers are ignoring the sides of the I house entirely, whilst others, in attempt ing to f be clever, merely kill the audience's eavesdropping illusion. Two nights before Love in Albania folded at the St. James's I Paid 7s. and saw only a fraction of the iction becausc the ...