... sabject of tragedfy. Love, which in: real life delightsa i nutie passionl, in~silent enjoyment ald.recollectiou, and which speaks. rather -with, it's edges and it's soul than in a flow of word-s, beeomes too verbose and affected on the stage. The svery ...

... acting. Mr. FAWCETT played a Scots Ser. Tant, the principal agent of the Countess's beneficence, e nd except that he did not speak in a Scottish diale6t, wars at admirable comedian. Mr. POPE, Mr. BRUN x i-oN and Miss NOtrooN did at much as possible for their ...

... to give details of plot or of dialogue. To recount a plot in this play would be to invent a plot;- and to speak of its dialogue would be to speak of sen- timent without feeling, and jokes without wit. It was totally withdrawn. There can be no doubt of ...

... Gentleman in the country, and when you talked of S ldll anzi/~y we knew you meant Justice BoXD-and when you put out your hand to speak agaifst the Gentlemen, as was against filching, Dicil, he said, you'd a fine finger for a pocket. I always thoughtlsonesty ...

... been tihestateof England if our ancestors had adted upon this folly ? . Of the Ballet before us we are sorry that we cannot speak in high commendation. It is not one of those chef d'euvres ofconmposition, which eithet enrpages the moral affedions, or satisfies ...

... d'eparted, but how monstrous is his infinmait u o pe; liis aunluity vwho~b y more than devilish art, com- pels the, very dead to speak ill of themselves, to prolong their own vices, and to mislead. maukind like l1iunisible and kursed spirit>: WVihat IWill the ...

... arces. You are pleased with the attempts at origi- nality of character, with the flowery blank verse in Which the poet always sp,)eaks, and wiith tie spriglitly s e of the ,rest of the dialogue, which awaktenls a plea- Sure more allied to thie complacest effect~ ...

... NoaToN, ill Jane Shore, did not give to thea. trical observers much hope of her future greatness 'in tragedy. She will always speak gracefuU%+ anj her general air and manner will always give on, a idea of her that may be called amiable. Blt her-face. does ...

... iM'sASTLEY $enior'q N lGHT. On which ccasion,by most .special desire, first timethere if- teen years, th sinigular ?? or Speaking Forest Ponwey; also,, the surprizing Di'ntttieated'Horse, &c. &c. Cc. J. .OLTMPIC PAVILION,. N7 vWCASTPrSTREkT, STiSRAN rD ...

... the UAA3IN 'FATIV At'; and, for thie night, the first, .4 'second, and'thiai .Xlass of P£RFiOijslN& H6ifS', viz, the Little Speaking Poney, the Domesticattd kIorse, and the popu-' I lar Equestria lemtl'net' and Pas Scul, 'an ?? heretofore conceived 'lnci'ibleL ...

... rRieT, S'raNsD,i (estahlished by Authority of ?? Chamberlain); . ' THIS EVENING, the singular performances by the little SPEAKING PONEY, and the DOMESTICATED HORSE; also,. the EOUESTRIAN MINUET and PAS SEUL; the p Ballet of OLD ROBIN GRAY, and the popular ...

... inLAers. Of the coloured; depar tment, of.-thuls work,7 in .spite of t-ie~tsue and cry-raised agaunsti-, v.e are compelled to speak. r terms of aluxratiion. All- the coXillmoP place qscrvations- upon . coloure l. prints are toialll iiiapplica le.-to.ihese ...