... ...

... for a sick person, to be ' fiaished within a certain time. After a nne the stranger I returned, and Mozart begged for more time, whiclh was granted. Mozart then (being ill; became persuaded that the work would be his own requiem, and applied himself with ...

... rremories of the Ithose privileged to be present. For at it, if in many psi iinstances they renewed a previous intimacy with Mozart's an1( Clarinet Quintet, they mupst, for the most part, havefo become for the first time acquainted with Sohdbert's be famed ...

... operae, Rossisi. of ourse. being birst favourite; the se-ond to extracts fiom the Oratorios of Handel, Mozart and Havdn ; and thie third concert to a -Mozart sym- phony, mand a very miscellaneous bsdget, including a. comic imitation bh Sacclhini of a fanatieal ...

... dress as Lord, remember David. A slight hoarsenens impaired the effect of this and his three remaining ?? Bose, Song, Mozart's Un aura amorosa (encored), and Sohiller's Tell her I'll love her. Mr. Halls's interpretation of Cbopin's Andante Spianato ...

... heed. Haydn and Mozart, not to mention Weber, demanded remarkably little of the librettist, and in the result they, or, perhaps moia precisely, we, of the present | genernion who look for proportion in all things, ap- 12raebly suffer. Mozart set some ?? stuff ...

... ho composed for the theatres the music of several plays, one of which w*a The Libertin, founded on the same subject as Mozart's Doti Giovanni. Purcell's first great work was the opera Dido and MElas. Its musio far exceeded irl dramatic instinct ...

... nut un3ansioal casnry, and especiaslly coming as the first gathering of the second ittf of the present series. Beoethss'en, Mozart, Vieuxo- temps, Schubert, and Grieg had tle preinipal places in a programnme swhich wvas of no l6ttle interest to chamber ...

... distance between Mozart's Chair and the sereeu and the door. The details show wonderful Funish, and the folds of the screen are so exact that one is tempted to touch them to see whether it is not a real ecroen. The white cushion on which Mozart's nook and shoulders ...

... Violin Soloe~a) Ada3io from 6th Concerto . .Sper. ., Prelude in i major. each. Mis' Emily Shinner.- Song ?? ?? pace ?? . Mozart. Mr. ~ Pianottoe 6ioro-la) Thhre and variations ?? ) Noturneo ?? Chopi.n. )0 Etude .. . . .. ?? Sawa. (di Mazurka ?? 'lildame ...

... concerto-amateurs would bedeeply grateful, the perform- ance being of the most lovely and melodious character imaginable. Mozart at a subscription concert was a sur- prise of the pleasantest. Why tree deathless forty-nine I have been more or les tbooed ...

... pro- gr9arme Mozart's Quintet in U mnilor. No better schemne rvould wvell be devised to elicit tire support-and subscrip- tions-of the devotees of all schools of music from the first strivings after freedom nader .. .ttlen form by Mozart, to the casting ...