... sounri- , ireia solis! Xisernble a , 44 are those who ,^rom bZ faculty are for ever shub - di ness! The first rfehliir- c. y . Mozart's otring quarer. which, even if it wtyre Z, played as it was yestry-:- four executants, one c. .. - tco with delriht. TL of ...

... did last night. They consisted of the overture to the Freischuil, Mendelssohn's Symphony inA major(the Italian Symphony), Mozart'S pianoforte Concerto in D minor, and Auber's overture to Les Diamans de la Couronne. These pieces were executed with much ...

... 5masters-lHaydn,Mozart, Beethoven, Spohr, or Mendels- sohn. Unless they do this, they do not make a suffilcient use of their resources. SInother respects the merits of the; two concerts were' pretty evenly balanced. A selection from Mozart's Ido- meneo ...

... story familiar to all of us from Moliere's play and Mozart's opera. The characters and some of the details of the plot, however, have been considerably modified in the later versions. Thus in Mozart's Don Giovanni nothing is known of a shipwreck, ...

... THE HALLE CONCH. ?? Mozart were the m- in the pgm e o the conert-with whichthe second ?? of the Halldaeriessat the Philbar- manic Hall began last night. The fonrer was represented by a synphony,of whichsofar as is kWn, no printed acorp is in existence ...

... for a sick person, to be ' fiaished within a certain time. After a nne the stranger I returned, and Mozart begged for more time, whiclh was granted. Mozart then (being ill; became persuaded that the work would be his own requiem, and applied himself with ...

... ac- companiments of Mr. Costa, in ihe same manner as the original score of the Messiah was filled up by Mozart. In this task Mr. Costi 'has taken Mozart f3r hils model, and has executed it most successfully. The slightness of Handel's scores is explained ...

... Sorail, are the only really German operas which Mozart has produced. All the others I are Italian, not only in the language of the libretti, but also in the style and structure of the music. In Mozart's . timae the German musical stage was in its infancy ...

... written by Mozart himself. -Number seven had been postponed, and the com- poser was progressing with it when he died. Nuin- bers ten, eleven, and twelve were written by Suss- mayer, although it is highly probable that he be- caine possesset1 o f Mozart's ideas ...

... lost- the playing was coarse and unfinished-and the general effect as unsatisfactory as the most cynical critic could desire. Mozart's symphony in E fiat-the piece de re- Histance-was a great treat, and this was as admirably, as the overture was inefficiently ...

... Williams and Mr. ?? Di ?? Id ?? Arcate. d DervishChorusC d ?? a; Cavatina-Mr. ?? cara itamagine. (11 Flanto at fugico) ?? Mozart. ar Balled-Miss M. ?? Whyeart thou sad?.' Eakd. Is Ode- ?? The ?? poetry recited by In Professor Greenbank) ?? ?? XelCitj ...

... whispered, Mendelssolhn is dead. When Mozart died not his most intimate friend -would face the rain and follow the hearse to its destination. So, to come to a repetition, it is we who endure the triumph of Mozart, and it is we who understand the tragedy ...