... again-and Castil-liaze were the musicians who operated in France uponI Mozart; and the Don Juawi described by M. Crozet in his review of music in France: is not Don Juan as Mozart wrote it, but Don Juan as Castil-Blaze imriproved it. What is also ...

... evening, was the last hot one of aff Mozart's dramatic compositions, the lest of all being 1La to Clemenze di Tile, Thle opera, with that fine generosity which fir geuerally aecomparties thehighestgeliius, wasgiven by Mozart Ti to a necessitous manager of ...

... programme of Monday night was exactly what ie are entitled to look for at these admirably conducted enter- tainmnents. That Mozart's Serenade in E dat for wind instruments ?? (referred to in our preliminary notice) would be a stccess might have been taken ...

... welcoming a little work by Mozart, which was performed for the first time on the English stage. This was The Impresario (The Manager), which has been cleverly adapted by Mr W. Grist. The Impresario was com- posed by Mozart in obedience to the commands ...

... fellow's playing of the Mozart Concerto in D minor was very wonderful. We have heard him. before in Chopin, for example, and while it was amazing to note his manual accomplishment, there was not much else to remark. But in the Mozart of Saturday he really ...

... llmentJl. Serenade, In this hem ef softened splendoTur ?? Axis Dove cone> ,Le Nozze di Figaro,)} M~ls. Christine Nilsien ?? Mozart. Overture ( Den Freeschsutz) ?? Wober. The greet ocena of the fourth act of H(raoaf was de. claimed by Mdlle. Nilsson (with ...

... oppor- turitv of witnessing ?? one-act opera, Rustic Chivalry, the evening's entertainment being completed by two acts from Mozart's immortal musical comedy, Tbe Marriage of Figaro. The cast in the first named was a familiar one, and the work went with ...

... models. What a wealth of beauty and learning, for example, could be found in this quartet of Mozart. Yet at the present day there a. e vandals who speak of Mozart as '*old-fashioned. Well, it is true in a sense. The sun is old-fashioned, a, d the flowers ...

... aria, Un acra smorosa, e ( Cosi fan Tatie), Mozart; grand concerto violin. a in D, Brahms; aria, 'Celeste Aida, Verdi; grand symphony in F. No. 8, Beethoven: Chaconne and C Gavotte in 1Idomeneo, Mozart; variations, violin, c I in E minor, Joachim; ...

... before, and all who are fond of good chamber music have lost a very great treat in not attending the series. Sebastian Bach and Mozart were the composers who occupied the first part last night; and it must be regretted the programme was not a little longer ...

... utmost pains to subdue the orchestra so as to secure the true character of the music, which is ruined if played too loud. Mozart's Symphony in E Flat was another noble work to test the good qualities of the orchestra, which in the second part was heard ...

... Still, there are some extremely pleasing passages in the symphony, notably the minuet, which might almost have been signed Mozart, rather than Gounod. This movement was played with much brightness. There was a little scrambling in the finale, but the ...