... sensitive, but poor Mozart ? The public to which they all now appeal may be capricious, and often misled by pretenders. But what are its faults in comparison with the vices of the old system of aristocratic patronage 2 The thought of Mozart silently eating ...

... elaborate catalogue of Mozart's works, published in 1864. Prom these authori- v ties it would appear that there is but one contemporary c manuscript score, and that the handwriting in it is not the same throughout, but partly Mozart's and partly Sitss- mnayer's; ...

... many traces of the influence exer. cised by Mozart over the greater master wind-for Beethoven, ere he felt strength enough to strike out for himself a path in musio lunknowvn till then, used such works of Mozart asur~odels. Marzart' s y mphony least evening ...

... popular than it ias-for it certainly is the case, how. ever the circumstance may be explained, that this chef d'ceuvre of Mozart does not enjoy a tithe of the favour be. stowed upon pieces which have not a hundredth part of its merit. We are not disposed ...

... to the beautiful symphony of Mozart, by taking its first move- ment slower than it is usually taken, thus allowing the beauty of Mozsrt'a round and graceful periods to be fully felt. We ane convinced that such wasn Mozart'a own reading. It is well known ...

... the most tuneful allegros ever writ. ten, went, as Mozart said of a similar performance, like oil. Another quartett, for pianoforte, violin, violoncello, and organ, though not strictly a work of Mozart, claimed a place in the programme in right of its ...

... as those of the preceding-wby we know not. The selection con- sisted of instrumental rnorceamea selected from the works of Mozart, and vocal pieces by Beethoven, Handel, Mendelssohn, and Molique, They were interpreted by Miss Laura Baxter and Mr. Sims ...

... tied, Sei mir gegruss't (in English) and Un aura amorosa, from Mozart's Cosi faa tutte. At lest night's concert (the third of the present series) there was but one quartet (Mozart's in D minor), the second of the six dedicated to Haydn, and of the ...

... being hor final appearance for the present. The following programme was performed: Quintet, in 0 miROT ?? , Mozart. Air, 1 Ach ioh f a bll. Mozart. Senoat, in A minor, Op. 42, Tianoofrte ?? Schubert, rAuT T. ioonath in A msnor Op. 47, Pianofr8te and Violin ...

... programme of 8atuday'S con- cert, the seventh of the present series, offred two features of special interest in the pieces by Mozart and Schubext i Overture, Enryanthe -. Weber. Symphony, Parisian . Mozait. 'The Shadow Song (Dinorab) ?? , oyloer. Choral ...

... works of greater men have been affected by their Predecessors. Those of Mozart, for example, are unmistakably Haydnish in style and treatment. Beethoven in turn found his model in Mozart, *xhile even Mendelssohn-at starting the most individual of composers- ...

... selected from the works of Mocart-in fact, it was a Mozart Night, comprising a Quintot, two Sonatas, a Qoertet, and four Songs. The quintet in A Major, which opened the concert, was coi- psed when Mozart's geius was fully and even maturely developed, Pet ...