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... i THEATRE ROYAL-ITALIAN OPERAS. , . ., . When an opera by Mozart does not attract a large audience one is likely to suspect the corn- pany4 FLeaNozze di Figaro was witnessed last night by the slightest house of the week, although the dress circle was ...
... we say that Mozart and Verdi were joined together as the attractions of the entertain- ment we say enough to indicate a reason for the rush to yeaterday's concert. The first part of the concert was devoted to the Requiem Mass of d Mozart; the second to ...
... ladies. Sir Robert concluded his observations upon the characteristics of the composer Gluck, and briefly dwelt upon those of Mozart, the superior popularity of whose operatic works, he said, wea due to the fact that his subjects appealed more to natural ...
... ur. that many of the greatest musicians never went to these schools at all. Beethoven never was at rd one of them, nor vwa Mozart, nor Weber, nor 1 Mendelsohn, nor Schumann, norLiszt. Bachand Haydn were indeed choir'boys, but only foir ile short time. ...
... Mass selected was Mozart's No. 1 -xecet the Credo, which was from Haydn's Third Mess, a'end the offertory piece,' a Eolo, Hummel's Alma Virgo, was gplendidly rendered by i dls' 'fulhal,' 'Carlo*i. 'I'he elevation piece, Mozart's 0 Dulcis Passia ...
... been wedded to Mozart's music; it is at once absurd and dull, and 'thore is no little difficulty in understanding what anybody would be at or why dverybody is in such direfai trouble. However. it suffices for lovers of music that Mozart was corn- soser ...
... qaisitely sad. The naughty libretto is the only despicable thing about it; and nobody contmeiidp his poet more hearily than Mozart, aleit there Is now and sain a tenfold lusciousneiss in, the translation into music. We gladly c9ine to praise Saturday night's ...
... zMI>sSI'S. BUSSELL AND CO.'S PIANO-- FORTES. I I, the shades of Handel, Mozart, and Hadyn -revisited the glimpses of the moon and saw wbch pianos as are now produced by the great mackers of London and Paris, and such as arenowv on view at the establishment ...
... quartet by d ozart, a. pianoforte soro ; - Gavotte,' by Silas'; the An- dalte, trio, op. 100, by Schubert; quirtetNo. 9, Mozart: a vloeoneelo solo, by Servais, played oy Herr Elsner: and a; trio iy Beethoven, in Eflat,wasadmirablyrendere-I by thedil ...
... grand Summer exhibition to be ?? Saithill:-lst Batt. 11th Regirnent- I Mareh, 1h'enix. Reviere; overture, Dau o1 Aii, Mozart - Reininiscense of Weber. F. Godfrey: vl ie, '.Les Roses, arranged by Murdoch; FeP' tfni, I Orphee aux Enfers. Offenbach: ...
... THEATRE ROYAL-ITALIAN OPERA, A well-filled house last night greeted the noble strains which herald in the Magic Flute of Mozart. The merits of this beautiful work stand in terrible contradistinction to the utterl1 I wild and imbecile story of the libretto ...
... grew wild in its grandeur of harmony, and Herr Elsner's was the power which chained it to law, The concert terminated with Mozart's trio in C major, op. 15. In it the three gifted musicians blended all their might with wonderful result. Thrown as it were ...