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... arrangement with Eugene Iskoldotf Productions, at the Stoll on A UK us I 18. Leopold Maria. .Willy Scherdeck Anhilte Augusta Ripper Edwin Roland Otto I alsay Countess Stasi Grete Kieser Count Boni Kancsianu Tony Niessner Sylva Varescu Eleonore Bauer American ...
... Karl Kroll Sylviane Hilde Langauer Kromow Willy Scherdeck Olga Erika Fischer Pritschitsch Basile Cosmas Praskowia Augusta Ripper Niegus Fritz Diestel Lok) Evelyne Moravek Dodo Gerda Neuhauer Jou-jou Lbelotte Mracek Frou-frou Hcrta Stark Clo-clo Ricki ...
... scenes, the dark glow of the striking match girls as it were il- luminoluc thi) Dinnor at \i'*rlr lull ui ian.) javn uiv i That Ripper whom Shaw described as a great revolutionary and reformer, who tore open to the world the horror of the East End squalor before ...
... dropping dead, suicide, mur der, cholera, rescue from prison, black mail, prostitution, and final death at the hands of Jack the Ripper. The miracle is that Berg sweeps the crudity from it, shows the characters as near-tragic victims of natural instincts and ...
... The audience left waiting LYRIC STUDIO Waiting JULIA KEARSLEY/S treatment of the divisive effect of a Ripper-style killer on a northern community, though finely penned in individual scenes, suffers from structural errors that threaten to spoil the whole ...
... sensationalism, sex, murder, suicide, imprisonment, cholera, blackmail, prostitution, and death at the hands of Jack the Ripper, and replaces it with a kind of near-tragic inevitability and compassion. G6tz Friedrich's production is appropriately artificial ...
... its speculations about the Victorian sexual underworld, all bound up with one of the theories on the identity of Jack the Ripper, a suggestion that he might have been the Duke of Clarence, a member of the Royal Fami ly, and that the matter never came ...
... actors perform a series ol illuminating exercises that are linked tc the theme of Victorian England. Blake Marx and Jack the Ripper tumbU together to remind us that historical!) England is still bound by chains. The group is a seething mass ol moving sculpture ...
... extreme and dripping in blood, Docklands Theatre Company's production of Doug Lucie's play, based on Stephen Knight's Jack the Ripper: The Final Solution, is a series of short, sharp quasi-documentary scenes which create a cumulative tension and atmosphere ...
... Lulu's doom, setting her on the path that will lead her to the streets of London and her final confrontation with Jack the Ripper. In this, Wedekind's sequel to the earlier play Erdgeist, the story begins with the lesbian Countess Gcshwitz (Sophie Reissner) ...
... Holmes And The Ripper BIRMINGHAM PUBLIC fascination with the identity of the mass murderer of the 1880's Jack The Ripper, goes on. Latest to be caught in its labyrinth of theories and counter theories is playwright Brian Clemens, who bases his new play ...
... cover-up of Alcott's secret life. Out wardly respectable to a demure degree, she also wrote a prodigious number of bodice-rippers as an outlet for the passionate side of her nature. Perfect material, in short, for a play proper. Instead Weaver's delicately ...