... the atmosphere of the Requiem—all was so exactly right, nothing overstressed. nothing underdone. Here was Mozart clear and pure, this special Mozart. The carols were finely reset into an orchestral and choral frame, and were full of the composer’s personal ...

... their own genre. But that was all. The symphonies were a piquant contrast. We had Mozart’s No. 40 in G minor and Beethoven’s No. in F I The Pastoral”). Compared with Mozart, Beethoven here seems trivial; all the effects and programme give an atmosphere ...

... Magic Flute,” Mozart’s last opera, to inaugurate his season of Grand Opera at the Aldwych Theatre. Saturday’s performance was exceptionally fine. In some respects it will compare wuth that memorable performance of tho opera given at the Mozart Festival at ...

... Busslied ” (Beethoven), and proved her self a most promising vocalist. The orchestra rendered selections from Mozart’s “Jupiter Symphony and a Mozart Overture C. Mrs Gregory presided at the piano, and Mr M'Gill throughout. ...

... historical aspect, and gave a practical analysis of the actual sonata form. He discussed and compared th© sonatas of Haydn, Mozart, and Beethoven a most interesting manner, pointing out their beauty and charm. Tho illustrations included Haydn's Sonata, ...

... secretary and treasurer After the business meeting the members heard a musical programme comprising Oboe Quartet in F. Major (Mozart) and String Trio in B Flat Major (Schubert). The artists were Edward J. P. Raven, oboe; Alister Halliday, violin; Eric G. ...

... wide range of composers. The eighteenth century was there in the Bach choral prelude, Sleepers, Wake,” and an andante from a Mozart string quartet, arranged by W. T. Best. Mendelssohn’s Sonata No. 1 F minor and major was one of the most interesting performances ...

... of music of the Carnegie Dunfermline Trustees. Mr Robertson delighted with his superb artistry in selections from Handel, Mozart. English classic and modern English songs, folk songs and sea shanties. Mr Moodie gave sympathetic accompaniments to the singer ...

... orchestra. The choirs drew their repertoire from Brahms, Jules Benedict, Elgar, Hook. Handel, and Wagner, and the soloists chose Mozart and Bach. ...

... violin solos by Masters Neil Mackay and Campbell Saunders. Both were good and one was outstanding. Master Mackay rendered his Mozart piece with charming ease, fluidity and lightness—a performance for any young artist to be proud of. “LAMBETH WALK” STARS In ...

... suite. Sir Edward Elgar’* Chanson Matin” and Chanaon de Nuit,” Sir Frederic Old English Dance.” Dvorak's Humoreeke.” and Mozart’s Nozzi di Figaro.” Miss Gladvs Coopers singing Idle and Dearest Heart” we. . heartily applauded, and the songs of Mr A. C ...

... of the University. There was . large audience. The programme was no easy one, including as it did Haydn’s “Clock” Symphony, Mozart’s “Jupiter.” Beethoven’s “Coriolan” Overture, four pieces from Bach’s Suite in D, and Handel’s Overture to “Athaliah.” The ...