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... recognition 'of . the influence of Mozart in shaping the tendency of music. He was the maker of an epoch. The Serenade which Dr. Ilatif brought forward on this occasion is one of the works of a fruitful year of Mozart's life, namely 1779. Scored for two ...
... that when he 5 was young he said, I and Mozart ; that when o1 a he was a little older and knew better he said oi t Mozarband I; and that when he becomeold, t6 s he said Mozart. To the names of Bach, el Mozart, and Beethoven be obedience, for it f t ...
... speaks of Mozart's con- sciousuess of his power andC his desire to keep his impulses under controL No musician hiA greater gifta than he, and none had more everence-for his teachers, a lesson which is not devoid of point in these days. Mozart's dramatic ...
... Trio IFor violin, viola, and violoncello, Mozart; Rhap3odie in G minor for pianoforte, Brahmsa; 1iao Quartet, op. 47, Schumann; Bailade in A flat for. piano- forte, op. 47, Chopin; and 'String Quartet in C, Mozart. Mlozart's name necessarily occurred in ...
... THE HALLE CONCH. ?? Mozart were the m- in the pgm e o the conert-with whichthe second ?? of the Halldaeriessat the Philbar- manic Hall began last night. The fonrer was represented by a synphony,of whichsofar as is kWn, no printed acorp is in existence ...
... emotions which must have agitated Mozart during a distressful period of his too brief and eventful life. The design of the symphony is simplicity itself- but how symmetrical, how impressive in this very simplicity ! Mozart invariably interests the instr ...
... aria, Un acra smorosa, e ( Cosi fan Tatie), Mozart; grand concerto violin. a in D, Brahms; aria, 'Celeste Aida, Verdi; grand symphony in F. No. 8, Beethoven: Chaconne and C Gavotte in 1Idomeneo, Mozart; variations, violin, c I in E minor, Joachim; ...
... B Lst orchestra is the exponent. 7Unyielding, as his pro- S, 1 grammes prove, in his Pllegiance to Beethoven, d Haydn, and Mozart, he yet turns no deaf ear to the rv claims of the representatives ofa more modern school, ist whose tendencies, after all ...
... a that master's opinion of Mozart forbids resistance, pi ?? as the conjunction of Mozart and at Gounod is so close in the scheme of the day. In h. ra lecture before the Academy of Arts in PariN, n Gounod, speaking of Mozart, asked- Who has in run through ...
... iteouss The memories that cling around Salzburg are the fdo undying. It was in that quiet city that the genius the rim of Mozart put forth its most brilliant flowers, and sterlin with it are associated the closing scenes of the W the life of the man of ...
... very kind attitude the audience assumed towards him a week or two back, when from that platform he told them the story of Mozart's life, he was less slow than he otherwise would have beeu to agree to the request of the society to lecture again. Mendelssohn ...
... ITHE SCIEREVR CONCERTS. Cherubini's string quartet, No. 1 in 1 fiat; Brahms' clarionet quintet, op. 115 ad Mozart's clarionet quintet in A formed the programne of the third of the Schiever series of classical chamber concerts, which took place at the ...