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... association with Mozart must always be interesting, and Mozart as ateacher4' was the subject of one of Dr. Bridge's first lectures. Dr. Bridge is the holder of a collection of MSS. of exercises written by Attwnod and cor- rectedkby Mozart, and from these ...
... succession of melodies of extreme beauty and marked le idwith a Mozart character of simplicity, gratefully falls upon St, not the ear. It is written quite after the manner of Haydn and ala Mozart, and might easily be mistaken for a composition of boi Ige the ...
... different to the two great models, Mozart and Becthoven, cannot fail to give further impulse to art. The eieculion of the qunartet was perfect, and gave much gratilE eation,lespecially the adagio portion. Tbe quartet of Mozart illustrated the general character ...
... naturally spoke of Handel, Each, Gluck, Haydn, Mozart, Beethoven, and Weber. His specimens were a Funeral March from Beethoven's 1 Mount of Olives,' the Chaos Movement from Haydn's Creation, and an ?? by Mozart. The lecture was ex- tretnely inteesting, ...
... CHARLES HALLE'.S, CLASSICAL a I 'ýCHAMBER -CONCE-RT. PART FIR1ST. me. Trio (Piano Forte, Violin, and Violoncello), in G.. I .Mozart. gra- Song ?? MiSS Kenneth . .. Vaccai the Sonata (Piano Forte), in D minor, op. 31 ?? ..eho~en PART SECOND, STrio (Piano ...
... there was evidently considerable expecta. I tion formed of it. As awbole, itis inferiorto the works of Handel, Haydn, and Mozart, and is not sufficiently I characterised by originality to Stand the test of time. The second part opened with a recitative ...
... was the last but one of etc Mozart's dramatic compositions, the last of all being 1La cur G'lemenza di Tito. The opere, with that fine genierosity which afft generslly accompaniss thehigltestgcuiius,w~s given by Mozart toI to a necessitons manager ...
... by the wondrous ?? of Mozart, rcee and n remained standing until the terminatio of the I . movement. It was an interpretation of 'T-be R Requiem' which gave a closer insight into the it temperament, aspira, and genius of Mozart. 3,- Blessings be ?? them ...
... two bassoons, four horns, two trumpets, three trombones, one euphonium, and drums. In the programme were the overture to Mozart's I Seraglio, the Ballet Music and Wedding March in Rubinstein's Feramors; Beethoven's Symphony No. 1, in C; and the ...
... whilst others-the true lovers of music-wcould w consider a treat of no ordinary character. When the names of of Mendelssohn and Mozart are prominently introduced into a D programme,the connoisseur may be tolerably safe in his antici- pl pations. On this occasion ...
... Drvircu.Tr.Es.-In October, f 1787, after hi.s return to Vienna, Mozart produced his greatest opera. Don Giovanni. As late as the night before the performance the overture had not been copied. Mozart wrote on until late t into the night, and his wife could ...
... and violon- cello (Mozart)-.MM. Joachim, L lRies, Zerbini, and Piatti. Song, Marie (Schlnhort-Miss Anna Jewell. senate for violoncello, with piano-forte accompaniment (Ma'rello)-Sgtnor Platti. 8eng, 'Deh viani non tardar (Mozart)-Miss Anna Jewell. ...