... I guarda sorella ?? Mozart. Song, aL'ddio ?? Mozart. Song, Deh! per questo ?? M Mozart. Sonata (pianoforte), INe plus ultra . ?? Wocld. PART II. Quartet in A major, op. 13, No. 5 ?? Beethoven. Aria, Della sua pace ?? Mozart. Song, MOr zhs in ciclo ...

... Rubinstein. Mozart's quintetto in E flat, in which the late J. II. Cramer was wont, many years since, to enchant his audi- tors at the Philharmonic Concerts, by his exquisite piano- forto playing, is still fresh in the memory of many devotees of Mozart. It may ...

... violin and tenor (Mr. Sairton and Mr. H. Blagrove) ?? Mozart. Aria (Madame Solari) .. ?? Handel. Symphony in A (No. 7) ?? Beethoven. PART II. Pianoforte concerto, in C minor (Miss A. Goddard) ?? ?? Mozart. Aria (MadamieRadersdorff) . Meyerbeer. Overture, ...

... for MOZART-to the level of his libretto. In the case of Don Gsiovsasnni things were different. The plot Was clear-the incidents were various and dramnatic, givingoccasion for the introduction of music of a very dif- feront character-so that MOZART had ...

... contemporaries, each of them has chosen one ;eat composer of a kindred spirit to his own as the pecu- ficobject of his attention. MOZART may be said still to fire in CRAMER, who cherishes his memory, and preserves -is works in unfading freshness. This Mr. CRAMER ...

... Illustri Rivali), Sinor Mario ?? leradanlte. Aria, {- Come scoaito (Cosi fan tutte), Madame Castellan ?? Mozart. Overture, Zauberfltte ?? ?? Mozart. Conductor, Mr. Costa. HAYDN'S symphony, a grand and masterly coamposition, was in most respects, ably executed ...

... lost- the playing was coarse and unfinished-and the general effect as unsatisfactory as the most cynical critic could desire. Mozart's symphony in E fiat-the piece de re- Histance-was a great treat, and this was as admirably, as the overture was inefficiently ...

... hony wvhich began the concert, isa com- Position of merit. It is closely modelled after MOZART; bat there is more noise of drn s and brass instruments than MOZART ever ?? of producing. The band, however, are more to blame in this than the composer. They ...

... COVENT-GARDEN THEATRE. The Oratorio, on Wednesday night, consisted of a se- lection from the two great Masters, HAYDN and MOZART, and from the most popular airs of national and modern music. The q Creation, by Dr. HAYDN, afforded fine materials for the ...

... its influence upon the public is abundantly proved by the continued and un-c varying success of Signor Alary's version of Mozart's Dos F Giovanni at the Royal Italian Opera, in spite of the uni- versal chorus of condemnation raised against it on its first ...

... hER M1IAJESTIPS THiEATRE?1. % MOZART'smasterpiece IlDissolu to pvnzito, ossi'd II Doe n Giovanni was perforated last nighlt. This great work, an- . rivalled for its delicious melodies and profound har- monies--for its mnarvellous transitions from grave ...

... couclusion of the air, which she warbled with a clear, flexibility, bird-like voice, and gave great pleasure to theaudience. MOZART'S fine aria, Alentre ti laseio, o figlia' wvas well sung by Mr. BODDA, who has a sweet tenor voice, though it is, as yet ...