... trained by the Christian Brothers. Indeed the solo choral parts were rendered in a way that deserves very special mention. Mozart's Kyrie was very finely given. Mr T V Parkes was the organist. In the evening his Eminence Cardinal Logue officiated at B ...

... Mademoiselle Anna Zerr (from the operas of Carisrushe and Vienna) is a phenomenon in her way. Her first effort, an aria from Mozart's Clemezas di Tito, made little impression in spite of a caions display of enthusiasm on the part of the singer; but in the ...

... marked contrast with the ;t style of church music subsequently adopted t by Haydn and Mozart; but as perhaps those t. who heard a former lecture by Sir R Stewart le on Mozart wonld have remembered, the latter ,. great composer was hindered from following ...

... a very large number received Holy Communion. At eleven o'clock a.m. Pontifical High Mass was celebrated, on which occasion Mozart's Twelfth Mass was sung by the choir, as.iisted by the celebrated 1Mf. le Roy. At the Gospel, the Fev. Father O'Haire expounded ...

... N. Darnelly, who gave their portions of the music With betutiul efeo.. The music sung at ' the mass in- eluded the Kyrie, Mozart, No. 12; the Passion of Palestrina; the Credo, No. 9, Haydn, at tlh Offertory; (bleditabor), by Casali; the Sanctus, by Henschel; ...

... hbis pianoforte recitals iD. 3 this city some Years agO, played with wondrous espressiVCeSS a omparatively easy sonata by E Mozart. The pertormance of Pagaini edivivus t was heartily applauded. Miss Marie Cruiseplayed t pianoforte accompanimeints iotv l1ih ...

... Mass; Gloria, hozprt III; Gradual, Witt, Credo, Gound; Offertory, Steble Motell; Adeste h'ide]es, Sictwus and Renedietus, Mozart II Agnous Dei, Gounod III;' Teutum Ergo, Scae- ken; Psalj; - Laudate, bhrmony,'Viadana. ...

... works. to be played. After one of Padhrewaki's own eompositions t Melodie, op 16) comes the concluding item, a fantasia on Mozart's Don tiiovanni, by Liszt. This -will to many, pethaps to a majority of tho audience, be the greatest at- traction of the ...

... 19th instant. The pontifical high mass was rendered most effective by a choir of unusual ability, the Dieces selected being Mozart's Masses Nos. 2 and 12, Mr. Levey ably leading the passages In Incarnatus est, by Mr. Bond, having been splendidly rendered ...

... that full justice will be done to this, the most sublime of Mozart's sacred compositions. We are not forgetful of the style in which, under his direc- tion, the celebrated Rlquiem of Mozart was produced for , the first time here on the occasion of O'Connell's ...

... perforui;uice. The pianist then gave air and variations of his own—the air bro.id Mid simple, tho melodic character suggestive of Mozart with a touch *»f t lie variational treatment clear and brilliant, without exaggeration or straining cffect*. The concluding ...

... the church and the confraternity joined. The sacred music selected for the occasion was Mozart's 4s Kyrie and Gloria, No. 3; Haydn's Credo, No. 3, and -Mozart's Sanctus, No. 12. Mics Dignam presided at the orgon. The ceremomes concluded in the ...