... when, thoughts of his lqcquicrn were bc- ginninjg to ?? shape in Mozart s brain. The setting or M1etsttasicse libretto came hurriedig into being, but in at least two instances dc we find Mozart break;ing the fetters which bound his genius to thec execution ...

... makes the Geisha an t attractive being; and Mr., George Miozart-why, by theway, Mozart ?-mozart-tbe Mozart-bad 'a love of comedy, but it was surrendered to music- Mr. Mozart's performances in Aladdin are full of comic suggestion. and had his namesake ...

... such as Cherumini's concert overture in G, one of a B. the six violonceilo concertos of Haydn, and that f ,ha syvmphony of Mozart which, in G minor, was the Y st, immediate predecessor of the greater syznphony- ve. in C. The solo part in the deliclitful ...

... century ago. That Synphony of Mozart which is ordinarily termed The Pr.gue held the initial place, and its exposition, under the direction of Mr. Cowen, was not without those touches which, according to contemporary records, Mozart was in the habit of insisting ...

... season. His choice on the occasion comprised Mozart's concerto in C, No. 5, and fine transcriptions by Liszt of three of Schubert's best songs, among the latter being ' The Erl King:' it was evident that the Mozart concerto is a favourite of his, for he rendered ...

... works without faith. For my pert, I oonsider but one thing essential-that is, to do one's dnty faithfully. If therefore it was Mozart's duty to write the Requiem, and he did it, he saved his soul alive. This. however, is butmy opinio, given at Layman's ...

... section were played cculdherdly havebeenexc-alled. The Mozart symphony is too well known to restaire even a line of corument, ?? this volceuio eruption of genius and labour (being ocne of three which Mozart conroosed in seven weeks, besides leseer works) ...

... genuine enjoyment to them than if it had been built on the standard lines of symphonic writing, as made familiar by Be thoven, Mozart, Jlaydu, &c. In the, hands of a less skilled orchestef thbZ that which Mr. Ohar-'s Ha'le has gathered round i,. the composition ...

... e Volpini. Solo (Violin) ?? Fandango. ?? Molique. Mr. Carrodus. Aria.. Vedrb mentre lo sospiro (Nozze di Figaro.)., . .Mozart. Mr. Santley. Chorus.. Strew, strew, ?? of Venico.) .Benedict. Quartet. A t0 o cara.-(Puritani.) ?? Bellini. ?? Volpi ...

... THE CARL ROSA SEASON. From Wa Cner to Mozart . from L Lohen- i' grin to 1igaro. What a stap for the : hearer to take within four-and-twenty hours; but such, is the lot of the opera-goer in the nineteenth ceutnry. On Thursday night was t heard all ...

... and the solo violinist Mr. Ysaye. In the pro- gramme will be found a symphony of Mozarts in G minor; Mr. Hamish M'Cunn's overture Land of the Mountain and the Flood; Mozart's Violin Concerto No. 6, in A flat; e and the Spanish symphony of Lxal, for Lt ...

... symbolism. While adhering to -the strictes form, Mozart gives full flw to his poetic imagination in this noble work, whose grace, dignity and purity reflect the elevation of his mind and charac- ter. Mozart always interests the instru- mentalist; how, then ...