... admirable. But let the programme speak for itself:- PART I. Sinfonia in G Minor ?? Mozart. Recit. In quali eccessi Aria Mi tradi (Don Giovanni), Mdlle. Corbari ?? Mozart. Concerto in E Minor,Violin, Mr. E. C. Cooper ?? Maurer. Recit. Arymida dispietata ...

... FIGARO,' w' T C;OVNT ?? GRDE,. 'I'lI;1rz is a rightly authent:cated story thtt tile other da v, iu conuectioll with he ?? htat Mozart's o U nan ' is fixcd for an early date at Covent Garden, messages wvere seut to the Opera Hlouse asking if the opera was ...

... has not been able to prodace his rval. Mozart's Concerto in D minor played by Thalberg was a musical treat of the' ?? kind, Thii great performer howed himself as much at home in thae simple, classical style of Mozart as in the brilliant and highly-ornamented ...

... I guarda sorella ?? Mozart. Song, aL'ddio ?? Mozart. Song, Deh! per questo ?? M Mozart. Sonata (pianoforte), INe plus ultra . ?? Wocld. PART II. Quartet in A major, op. 13, No. 5 ?? Beethoven. Aria, Della sua pace ?? Mozart. Song, MOr zhs in ciclo ...

... celebrated 1 lady violinist at Vienna, in 1784, Mozart himself being the pianist. So great was the haste with which it was produced (no trace of which, however, is apparent in the composition), that Mozart ad only time to write out the violin part, playing ...

... character in her best style. The orchestra and chorus merited hearty praise. THE MOZART FESTIVAL. Since there have been Handel Festivals, Beethoven Fes- tivals, &c., why not have a Mozart Festival? Such was evi- dently Madasne Adelina Patti's idea, and she forthwith ...

... Aria, Mad. Caradori Allan, Dove Sono (Le Noeze di Figaro) . Mozart. Overture, Leonora .Beethoven. ACT II. Sintonia, No. 6 . .Mozart. Aria, Mr J. A. Novello, Mentre ti lascio Mozart. Fantasia, Clarinet, Mr Goudswaard . Reisseger. Terzetto, Mad. Caradori ...

... finding parallels between the characteristics of men of genius in different arts would probably describe Correggio as the Mozart among painters. And the parallel would hold good to a very considerable extent. In the works of both alike the samne exquisite ...

... principal victim. If Salieri did not poison Mozart, as was at one time believed, it is- quite certain that Mozart poisoned the existence of Salieri, who could not endure the superiority of his rival. Mozart's success need not in itself have pained him ...

... WELLINGTON. PART J. Overture. Duettino, Deh! prendi (Clezenm-a di Tito) ?? Mozart. March. . Coro, Seebate, 0 De . Recit. and Aria, Miss Messent, Deh vieni (Figaro) ?? Mozart. Aria. Madame Caradori-Allan, con Corn, Vengo a VOl (Gesnsaleinae liberata) ...

... that when he 5 was young he said, I and Mozart ; that when o1 a he was a little older and knew better he said oi t Mozarband I; and that when he becomeold, t6 s he said Mozart. To the names of Bach, el Mozart, and Beethoven be obedience, for it f t ...

... many traces of the influence exer. cised by Mozart over the greater master wind-for Beethoven, ere he felt strength enough to strike out for himself a path in musio lunknowvn till then, used such works of Mozart asur~odels. Marzart' s y mphony least evening ...